Showing posts with label The Sherman Brothers. Show all posts
Showing posts with label The Sherman Brothers. Show all posts

Friday, December 4, 2015

The Mouse Castle Lounge 12-04-2015 - Producer Don Hahn Talks About Disney Legend Richard Sherman

By Tim Callaway






Don Hahn
On December 17, PBS SoCal will air the musical special Richard M. Sherman: Songs of a Lifetime. It’s a one-hour studio performance by the songwriter and Disney Legend. Just him, a piano, and a few friends to sing along. It celebrates the decades-long musical collaboration that was the Sherman Brothers and it’s certain to include tunes from such classic Disney and non-Disney films like Mary Poppins, The Jungle Book, Chitty Chitty Bang Bang and so many others.

Richard M. Sherman: Songs of a Lifetime is produced by my guest today, a gentleman who’s also made significant contributions to the Disney legacy. Don Hahn’s producer and executive producer credits include Beauty and the Beast, The Lion King, The Emperor’s New Groove, Waking Sleeping Beauty, Frankenweenie, Maleficent, and the Disneynature films Oceans and African Cats. Don is a respected author, whose latest book, Before Ever After, recounts in exquisite detail the history of the artists’ training program at the Walt Disney Studios in the 1930s and ‘40s. Don is also a tireless supporter of preserving animation and film history. You know, someone should probably give him an award for that. Don Hahn is my guest today in The Mouse Castle Lounge.

Songwriter and Disney Legend Richard Sherman.
Enjoy!


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Tuesday, February 25, 2014

Robbie Sherman, Part Two: 'Moose' and 'A Spoonful of Sherman'


Part two of my conversation with Robbie Sherman isn't as controversial as part one, but it does have a lot to offer about Robbie's father Robert Sherman, his memoir Moose, and Robbie's new musical review, A Spoonful of Sherman, which received great notices in London and will be back for a return engagement in April.

But yeah, about that controversial part. This has certainly been an interesting week in The Mouse Castle.

As I said I would last week, I reached out to Robbie's brother Jeffrey Sherman and his cousin Gregg Sherman about Robbie's assertion that Jeff and Gregg's 2009 documentary The Boys: The Sherman Brothers Story misrepresents the true relationship between the brothers Richard and Robert Sherman. I asked both Jeff and Gregg if they would like to appear on The Mouse Castle Lounge to address Robbie's comments. 

The short version is they both said no.

For the longer version, give a listen to today's Mouse Castle Lounge. After my interview with Robbie (where he tells some really great stories about his dad and Saving Mr. Banks), I give you my take on the aftermath of last week's show and the curious visit Jeff Sherman made to The Mouse Castle Facebook page.

Of course, I'd love to hear your thoughts on all this too. Please call The Mouse Castle Lounge Listener Line at (702) 475-5625 or leave your comments below. Thanks!

Download: http://traffic.libsyn.com/themousecastle/TheMouseCastleLounge02-25-2014.mp3

Related Story: Robbie Sherman Talks About His Father, the Sherman Brothers and the Kennedy Center Honors

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Monday, February 17, 2014

Robbie Sherman Talks About Robert Sherman and the Sherman Brothers in the MCL


Robert Sherman (l.) and Richard Sherman
Some interviews surprise you.

My interview with Robert Sherman's son Robbie Sherman did. 

Robbie recently edited and published his late father's memoir Moose: Chapters From My Life. The book is a wonderful telling of episodes in Robert Sherman's life from his harrowing service during World War II (a battle wound would force him to walk with a cane for the rest of his life) to his award-winning success at Disney writing songs with his brother Richard. The Sherman Brothers songbook makes up a big chunk of the soundtrack of your life if you have any appreciation for Disney: Chim Chim Cheree, Winnie the Pooh, It's a Small World, Step in Time, Fortuosity, Feed the Birds, A Spoonful of Sugar. Outside of Disney, their output was just as impressive, writing song scores for Chitty Chitty Bang Bang, Snoopy Come Home, Tom Sawyer, The Slipper and the Rose, Charlotte's Web and others. A Sherman Brothers song adheres to the basic concept that Robert and Richard learned from their songwriting father Al Sherman. It's always singable, simple and sincere.

Robbie Sherman (l.) and Robert Sherman, 2003
In my conversation with Robbie, we talk about his dad, the Sherman Brothers, and the odyssey it took to bring Moose to print. We also discuss the 2009 documentary co-directed by his brother Jeff Sherman and his cousin Gregg Sherman, The Boys: The Sherman Brothers Story

And here's where it gets really interesting.

I've long admired and been touched by The Boys, a bittersweet film that, while celebrating the joys of Sherman Brothers music, also laments the strained and sometimes distant personal relationship between Richard and Robert. 

It's a relationship, Robbie says, that didn't exist. Any conflict or feud, he insists, was fabricated by his brother and cousin to make The Boys a more dramatic film. He feels his father wasn't portrayed fairly and takes Jeff, Gregg and Richard Sherman to task for it. This, as you would expect, has caused even more conflict in the family, which Robbie talks about in detail.

Give a listen to today's show and let me know what you think. About Robbie Sherman. About the Sherman Brothers. About Moose and The Boys. Call The Mouse Castle Lounge Listener Line at (702) 475-5625 or please leave a comment below.

Download: http://traffic.libsyn.com/themousecastle/TheMouseCastleLounge02-17-2014.mp3

Related Story: Robbie Sherman Talks About His Father, the Sherman Brothers and the Kennedy Center Honors

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Sunday, August 25, 2013

Treasures of the Walt Disney Archives at the D23 Expo

I'm finally sorting through the many pictures I took at the D23 Expo earlier this month. These are the shots I took with my good camera (Nikon D3100). I hope you've already seen the Facebook pics I posted previously. It was quite a weekend.

Below are pics from Treasures of the Walt Disney Archives, a collection of historic items from Disney's glorious attic. This year's exhibit was smaller than 2011's, but still a nice assortment of items from Mary Poppins, Oz the Great and Powerful, Once Upon a Time and Teen Beach Movie (no, really).

In the queue area was a collection of designer gowns inspired by the Disney
princesses. They were originally on display last year at Harrods in London.

A closer look at Pocahontas, Jasmine and Mulan.

Costumes from Disney Channel's Teen Beach Movie.

Costumes from ABC's Once Upon a Time.

Props from Once Upon a Time.

In the late 1950s, Disney started pre-production on The Rainbow Road to Oz. It was
meant to be a live-action movie musical based on L. Frank Baum's stories
starring the Mousketeers. The film never came to pass, but much of the concept art,
story treatments and scripts still exist.

In 1985, Disney released Return to Oz, a live-action fantasy starring Fairuza Balk
as Dorothy. These are some of the props used in the movie, including Dorothy's
ruby slippers.

The mechanical man Tik Tok from Return to Oz.

Costumes and props from Return to Oz.

Costumes from Oz the Great and Powerful.

Even the sweetest Disney character can look creepy
in the right light. China Doll model from Oz the Great and Powerful.

Disney's Mary Poppins will mark its 50th birthday next year.
 This is pre-production concept art from the film.

Mary Poppins storyboards.

World Premiere banner from Grauman's Chinese Theatre.

Assorted Mary Poppins items including the original vinyl soundtrack and
subsequent gold record and Grammy.

Some nursery items from Mary Poppins including toy blocks and the
St. Paul's cathedral snow globe.

Bert and Mary's merry-go-round horses.


Practically perfect in every way.

One of my all-time favorite Disney publicity shots. (l. to r.) Richard Sherman,
Julie Andrews, Dick Van Dyke and Robert Sherman.

Saturday, November 10, 2012

'Lucasfilm,' 'Wreck-It Ralph' and Jeff Kurtti in The Mouse Castle Lounge

The second episode of The Mouse Castle Lounge podcast featured a look at the Disney/Lucasfilm deal, my review of Wreck-It Ralph with audio clips from its red carpet premiere in Hollywood, and part two of my conversation with Disney historian, author and film maker Jeff Kurtti, who talks at length about his long-time friendships and collaborations with Roy E. Disney and the Sherman Brothers.



I think I'm starting to get the hang of this. I'm sure as hell having a lot of fun doing it. Why don't you drop by some time? It's never too late to join the party at your unofficial Disney happy hour.

Be sure to subscribe to The Mouse Castle Lounge on iTunes or keep up with me directly via the show's RSS feed.  

I'm already way excited about my next show. I'll be taking The Mouse Castle Lounge on the road to San Francisco next week to preview the Walt Disney Family Museum's new exhibit celebrating the 75th anniversary of Snow White and the Seven Dwarfs. It'll definitely be a show you won't want to miss. See you then.

Tuesday, November 6, 2012

Happy Election Day!



Politics, romance and some catchy Sherman Brothers tunes. The One and Only Genuine Original Family Band (1968) starred Walter Brennan, Buddy Ebsen, Lesley Ann Warren, John Davidson and Janet Blair and was set against the backdrop of the 1888 presidential election between Grover Cleveland and Benjamin Harrison. Family Band was one of the last films Walt Disney had his hand in (it was in production when he died in December 1966) and is noteworthy for being the movie where Kurt Russell met Goldie Hawn (although they wouldn't become a long-term Hollywood couple until quite a few years later).

And, for what it's worth, in 1888 the Republican challenger (Harrison) defeated the Democratic incumbent (Cleveland).

Wherever your political loyalties lie, make sure you get out and vote today.

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Friday, September 9, 2011

Update: The Sherman Brothers and the Kennedy Center Honors

(l. to r.) Robert Sherman,
Richard Sherman and Walt Disney
If you follow The Mouse Castle, you know we've been supporting the campaign to have the Sherman Brothers recognized by the the Kennedy Center Honors. The new honorees were announced yesterday, and although this year's recipients are quite worthy of the recognition, the Sherman Brothers are not among them.

This morning, Robert Sherman's son Robbie posted this on Facebook:
My father and I were traveling in Scotland for the passed [sic] two weeks and there was very poor internet reception where we were staying. I just read the news that the Sherman Brothers were not among those to be receiving Kennedy Center Honors this year. I was disappointed as I'm sure you must have been as well.
But I want to thank each of you who took the time to write letters and helped with our grassroots campaign. I was able to speak with two of the board members of KCH and they said that we definitely have their attention for next year. In January, with your help, I would like to double efforts to try to see if we can get this. Again, though, thank you to everybody who wrote letters, posted blogs and spread the word! Please keep those letters for next year! 
The campaign continues. We will reconvene in January.

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Friday, August 12, 2011

Robbie Sherman Talks About His Father, the Sherman Brothers and the Kennedy Center Honors

On the set of Mary Poppins (l. to r.):
Richard Sherman, Julie Andrews,
Dick Van Dyke and Robert Sherman
Last month, I blogged about the campaign by Robbie Sherman to have his father and uncle, the Sherman Brothers, named as Kennedy Center Honorees. Since then, I reached out to Robbie and he kindly agreed to answer some questions by e-mail about the Sherman Brothers, their music and his relationship with his father Robert, a complex man of intellect and artistry.

Robert Sherman was born in 1925 and, besides being one half of the team that wrote such Disney musical classics as "Supercalifragilisticexpialidocious," "It's a Small World," and "Winnie the Pooh," he is also a decorated World War II veteran and an accomplished poet, sculptor and painter. In 2002, he moved from the United States to Great Britain, where he currently resides.

Tim: The Sherman Brothers have won many awards during their careers, two Oscars and a Grammy among them. What would be the significance of your father and uncle becoming Kennedy Center Honorees?

Robbie Sherman: Kennedy Center Honors is one of the most high profile accolades given to people in the entertainment business. For the Sherman Brothers to be included among the honorees would significantly elevate peoples' awareness of their work as well. I can think of no other songwriters' music and lyrics which more closely reflect what John Kennedy was all about: his spirit of optimism and confidence. Since the Kennedy Center Honors was created in the late president's memory, it would seem particularly fitting for the Sherman Brothers to be chosen for this honor.

Tim: How did the Kennedy Center Honors campaign begin? When did you decide this was an award to pursue?

RS: Every year in December, when the Kennedy Center Honorees were announced on television, I thought, "Somebody should do that for Dad and Uncle Dick.” So, I suppose it was always in the back of my mind. Specifically, though, last December I put together a step-by-step to-do list and, when there was time, I worked on it with one of our L.A. interns whose name is Matthew Pollard. A student of music and animation, Matthew is a recent graduate of Chapman College. We have no word yet whether or not the Sherman Brothers are going to get Kennedy Center Honors this year, but if it happens, it will be in large part because of Matt's efforts. He has also been a real force in moving along our United States distribution of Walt's Time books to school libraries. In May of this year we distributed close to 400 books in the Los Angeles Unified School District alone. After that was done, I put him onto Kennedy Center Honors, full force.

Robbie Sherman (l.) and
Robert Sherman, 2003
Tim: Why do you feel your father and your uncle are deserving of this honor?

RS: I'm not a big fan of the word "deserve.” The term seems, somehow, inherently presumptuous and inescapably pretentious. Frankly, if we were doing this just so that my dad and uncle could receive yet another plume in their caps, what would be the point? That said, both my father and uncle have been very appreciative of my efforts. You see, even though I don't think that the Sherman Brothers need to receive this honor (on a personal level), I strongly believe that their songs do. Sherman Brothers' songs have brightened all our lives. Intervening decades have demonstrated their lasting quality and cultural significance. The Sherman Brothers' work is marvelous, inventive, witty and often poignant. Ironically, because their work is so subtle and accessible, it's also sometimes overlooked. What's amazing is that their work continues to contribute so much to popular culture. The very words we use, even the way in which we think, has been shaped by these two men. I still hold that the only good reason to acknowledge great art is so that more people will, in turn, be exposed to it. And songs as positive and inspirational as the Sherman Brothers' should not be overlooked.

Tim: What type of support have you received from your family and from Richard Sherman's family in campaigning for the Kennedy Center Honors?

RS: That's an interesting question. As I've already shared, both my father and uncle have been very supportive of this effort. They greatly appreciate everything that their fans are doing as well, especially the letter writing. I mean, writing a letter represents a lot more than just clicking a "like" button on Facebook. Writing a letter takes a measure of time and focus. Of course I'm organizing things on this end, but we need everyone's support if we're going to make this happen.

Tim: What was it like growing up the son of a Sherman Brother? What is your fondest childhood memory?

RS: Growing up my uncle's son would have undoubtedly been very different from growing up my father's. Indeed, I recall discussing this very topic with my cousin Greg a dozen years ago. He was quite wistful about the matter as I remember it. I guess because my father and uncle are so different, there really isn't a single "quintessential" anecdote to illustrate "what it was like to be the son of a Sherman Brother" (to use your words). That's a long prelude, but I think that, inevitably, it's an essential part of the story. The aura was different specifically because the brothers are so famously dissimilar. I can't tell you what it was like being the "son of a Sherman Brother." But I can tell you what it was like being Bob Sherman's son.

First of all, our house was always filled with what I would call "an abundance of wonderment," if that makes sense. This is visually evident in any myriad family photos. My father is so many things-- a poet, painter, sculptor, archeologist--but, perhaps most of all, he is a natural scholar. If a subject should happen to capture his interest, he becomes a sponge to it, absorbing every bit of it.

When asked about my Dad, I always try to explain that first and foremost he is an intellectual. And the real ones are actually very rare. If you want to begin to understand my father, I believe that you first have to accept the notion that he lives in and for his own mind and is fed from the feast of intellectual pursuit. He has zero time for small talk or, for that matter, repeating stories he's already said. For that reason, you may have noticed, he rarely participates in interviews and almost always regrets having done so. But, I hasten to add that he is also extremely generous with his time and a profoundly good and kind person--perhaps to a fault. This generosity of spirit branches out in many directions.

The following is a vignette which I hope will give you a sense of what it was like growing up with a man like Bob Sherman for a dad:

While my grandfather may be known for his prowess at making kites (The Sherman Brothers song “Let’s Go Fly a Kite” was inspired by their father Al Sherman’s skill at kite making—Tim), what I'll bet you were unaware of was that my father took this notion to another level altogether.

Robbie and his dad, 1971
One time when I was about nine or ten, my dad and I (but mostly my dad) designed and built a model airplane from scratch using only balsa wood, rubber bands and wax paper. In fact, the only pre-fabbed part of the airplane was the propeller, two small hooks and some 1" wheels (we bought those latter items at a local hobby shop). Where this fascination stemmed from, I have no idea.

Building the airplane was as much an intellectual exercise for my dad as it was a father/son activity. I'll never forget the experience--his intensity, his care for every detail and his remarkable sense of craftsmanship. It was a majestic thing to be a part of, really. It's a strange experience to put into words. My father made sure I was as much a part of the process as I wanted to be. I measured out strips of wax paper and balsa wood which he would then cut with his jigsaw. For him, building an airplane was as much about artistry as it was about tangibly digesting the science of flight. Somehow, he just seemed to know how one goes about harnessing the forces of lift, drag and thrust. Instinctively or through study, he understood how these forces would interplay with the body of the airplane we were building. I remember thinking at the time, that if he'd been alive a hundred years earlier, how he might have beaten the Wright Brothers at their own game.

Our airplane was a remarkably elegant device--about three feet long by three feet wide--and I greatly anticipated the day we would finally get to test it out together. It was such a cool experiment. There were no guarantees that it would actually fly, of course. But that's what made it so exciting!

The plane was built in two parts, the central body and the wings. Through the nose of the central body, we drilled a narrow hole, dropped a hook through the center of the propeller and ran a long, industrial size rubber band through the fuselage. At the plane's tail was another solid block of balsa wood and another hook. My dad tasked me with winding the propeller 100 revolutions (he explained that this would provide just the right amount of torque to give the airplane the speed it would need to attain lift). One summer day in 1978 (if my math is right), we tested the plane out, and you know what happened? It actually flew. It gained speed, achieved lift, and then, miraculously, it landed once more (and in one piece). After a few flights across the park, our beautiful plane crashed violently (and perhaps predictably) into a brick wall, but by then it no longer mattered. The experiment had been a success.

You see, building the airplane was never about creating a thing-- a trophy to brag about-- at least not for my dad. It was about seeing if we could design a working airplane from scratch, with no electricity required for flight. It was all about the intellectual challenge. This is what drives my father. It's what has always moved him forward through life. It's a hard concept for people to get their heads around, I think. It's amazing that an intellectual like my dad could also find a way to include his young son in what he was doing. There was no sense of distance (as one might surmise when dealing with a "true intellectual") and perhaps that is what makes the memory so special. He didn't come down to my level. To the contrary, you might say he gave me wings and provided the necessary lift. He's always been about "the next challenge.” That's probably why he never tried to repair the first plane or build a new one. He was already onto his next pursuit. It's never about reliving the past with my dad. So many of us are stuck living in the past, or off of it. But that way can never be the way forward. I am convinced that my father is largely misunderstood and, ironically, by some of the people who claim to know him the best. I can say without any doubt that he is easily the most fascinating person I have ever known.

Tim: What quality of your father's are you most proud of?

RS: His bravery. He has a truly fearless quality about him. I'm sure that this is a byproduct of his experience in the War.

Tim: Your father is also a painter and you have arranged for a number of exhibitions of his work. How would you describe his artistic talent? Do you have a favorite painting of his?

Robert Sherman's art (l. to r.): "Moses," "San Francisco," and "Sacrifice"

RS: I love most of his work. I'm particularly partial to a few of his paintings, though. "Moses,” "Sacrifice" and "San Francisco" are among my favorites. I love the detail in "Moses,” the expressiveness in "Sacrifice" and, because it hung outside my bedroom door for many years when I was growing up, I have always had a special place in my heart for "San Francisco.” I love the bright little red house hiding behind the darker buildings in the foreground. It somehow reminds me of my Dad's personality. The red house is kind of like the gleam in my father's eye. There's a particular optimism in that painting.

Tim: What can fans do to help support your Kennedy Center Honors campaign?

RS: Keep writing letters! And get others to write letters too. I just received a response from one of the members of the KCH board. He has agreed to suggest the Sherman Brothers for this year's honors. But that's still no guarantee that they'll get it. KCH has not yet met. Their decision will be made closer to the end of the month. Before, I only knew that they would be making their decision sometime in August. Now we know that it will be by the end of the month. So anyway, any support for this effort is welcomed and will certainly still be useful. It's not too late to write letters!

###

For more information on the Kennedy Center Honors, visit www.kennedy-center.org. Letters in support of the Sherman Brothers should be sent to:

The Kennedy Center Honors
The John F. Kennedy Center for the Performing Arts
2700 F Street NW
Washington, DC 20566

To join Robbie's Sherman Brothers group on Facebook, visit www.facebook.com/groups/34071963505.

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Saturday, July 16, 2011

Nominate the Sherman Brothers for the Kennedy Center Honors

(l. to r.) Robert Sherman,
Richard Sherman and Walt Disney
Robbie Sherman, one of the sons of Disney Legend Robert Sherman, has started a grassroots campaign to get his father and his uncle recognized by the Kennedy Center Honors. As most Disney fan knows, the Sherman Brothers were the house composers at the Walt Disney Studios during the 1960s and were responsible for a multitude of classic songs for Disney films such as Mary Poppins, Summer Magic, The Happiest Millionaire, The Jungle Book, The Aristocats and Bedknobs and Broomsticks. They also composed the eternal "It's a Small World (After All)." Outside of Disney, Richard and Robert were the songwriting talents behind the movies Snoopy Come Home, Charlotte's Web, Chitty Chitty Bang Bang and many others. They have known success in film, television and on Broadway and have won both Oscars and Grammies for their work. In 2009, their lives were honestly and poignantly presented in the documentary "The Boys."

The following letter has been making the rounds on various Disney blogs, message boards and history sites. I'm happy to lend my support to the campaign and urge all readers of The Mouse Castle to do so as well. For the price of stamp, you can help the Sherman Brothers receive one of the truly prestigious honors in entertainment.

July 14, 2011 
Dear Friends of the Sherman Brothers: 
WE NEED YOUR HELP! A number of people have been speaking with me about getting the Sherman Brothers nominated for the 2011 Kennedy Center Honors and I certainly think it’s a great idea! If you are willing to help out with this, please write a letter recommending the Sherman Brothers for this high profile commendation. Letters to this effect should be sent to the following address: 
The Kennedy Center Honors
The John F. Kennedy Center for the Performing Arts
2700 F Street NW
Washington, DC 20566 
Also, be sure to make it clear at the top of your letter that your letter is “RE: SHERMAN BROTHERS FOR 2011 KENNEDY CENTER HONORS”. 
Grassroots campaigns are officially welcomed by KCH. The deciding committee will be meeting in August, so letters should be sent out ASAP! Additionally I have arranged for copies of “Walt’s Time” (the SB’s joint autobiography), “The Boys” (a documentary film) and “The Sherman Brothers’ Songbook” (a 2 disc CD) to be made available to the committee as well. 
The Sherman Brothers are my father and uncle respectively, and for that reason I can’t really be expected to be objective on the matter. Nevertheless, I feel confident in the assertion that no other songwriters’ music and lyrics better capture the essence of our civilization’s highest ideals and aspirations. It is for this reason as well as so many other, immeasurable contributions which the Sherman Brothers have made to the arts and culture, that I hope that you will join me in this effort. 
Please let me know if you decide to write a letter. It will be useful to have a general count. Lastly, if anyone reading this personally knows someone on the KCH Deciding Committee, a conversation with that person would be extremely helpful as well. Any other ideas are welcome too. Thank you in advance for your efforts. 
Very truly yours, 
Robbie Sherman

If you grew up loving Disney as I did, you grew up loving Sherman Brothers songs. Please send your letter today.

For more information on the Kennedy Center Honors, please visit www.kennedy-center.org/programs/specialevents/honors/about.cfm.

Last year, it was my honor to meet Richard Sherman.

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Wednesday, December 1, 2010

'Waking Sleeping Beauty,' 'The Boys' and 'El Grupo' Explore Disney's Past

This week, Disney offers up a wealth of video releases for the holidays. The flashiest choice is Walt's great experiment of animation and classical music, Fantasia, presented for the first time on Blu-ray and packaged with the updated but less compelling Fantasia 2000. Noteworthy for Disney completists and armchair historians, though, are three recent documentaries that saw only limited release in theaters and are finally reaching a broader audience on DVD. Two of them are honest and heartfelt looks at creative passion and dysfunction. The third is a curious misfire set at a critical turning point in Walt Disney's career.

Waking Sleeping Beauty

Peter Schneider, Roy E. Disney
and Jeffrey Katzenberg, back in the day
Between 1984 and 1994, the Walt Disney Studios had one of the most remarkable runs in film history, producing the classic animated features The Little Mermaid, Beauty and the Beast, Aladdin and The Lion King. They were critical and commercial successes that ushered in a new golden age of animation. That these movies came from a company almost broken up and sold for scrap in the early 1980s is even more amazing.

After Walt died in 1966, the company he co-founded--particularly the animation division--languished. Rudderless without the presence of the great man and paralyzed by a "what would Walt do?" mentality, the studio released a number of mostly forgettable animated films including The Aristocats, Robin Hood, The Fox and the Hound and The Black Cauldron. The studio was still attracting talented young animators like Glen Keane, Tim Burton and John Lasseter, but they lacked direction and the studio had difficulties retaining many of them. Troubles were compounded when Disney became the target of a hostile takeover in 1984 that threatened to dismantle the company. It wasn't until "the perfect storm" of creative forces and studio leadership miraculously came together that Disney began to rise from the ashes.

Producer Peter Schneider and producer/director Don Hahn were there during those tumultuous and ultimately exhilarating years, but Waking Sleeping Beauty isn't about them. It's about everyone and everything that went on around them, from the long, exhausting hours put in by the animation department to the ego clashes among top executives Michael Eisner, Jeffrey Katzenberg and Roy E. Disney to the mercurial brilliance of the late lyricist Howard Ashman (in the bonus features, do not miss his eloquent lecture to studio employees about the connection between Broadway musicals and animated feature films). It takes hard work and more than a little office politics to make magic and Waking Sleeping Beauty never shies away from that harsh reality of the motion picture biz-ness.

The film benefits by relying entirely on archival material to tell its story. There are no reminiscing talking heads or crosscuts to present day to get in the way of the narrative. You're totally immersed in the sights and sounds of late 20th century Disney, whether from old news clips, interview footage or home movies shot by studio staff. Modern day comments are provided in voice over and they come from most of the major players. At times, it's quite candid, particularly from Schneider, Eisner and Katzenberg, who are not always depicted favorably, but are still treated honestly and fairly by Hahn. He proves that under the right circumstances, even the most dysfunctional family is capable of greatness. As Eisner notes in the film, "Go to any institution, any university, any hospital, any corporation, any home, any house. You know what? The human condition overshadows bricks and mortar, every time. And it's about fear, and envy, and jealously, and comfort, and love, and hate, and accomplishment. Every institution has it."

This willingness to look unflinchingly at Disney's past and revel not only in its enormous successes, but also its glaring imperfections, gives Waking Sleeping Beauty its strength. If you have any appreciation for Disney history, do not miss it.

The Boys: The Sherman Brothers' Story

Robert Sherman, Richard Sherman
and Walt Disney
Sherman Brothers songs have never been complex in composition or theme, but as younger brother Richard points out in The Boys: The Sherman Brothers' Story, they are "simple, singable and sincere."

They also obscure a distant, contentious relationship between Richard and Robert Sherman that has lasted decades.

The Sherman Brothers made their names as the house songwriters for Disney in the 1960s. Their output was staggering: Supercalifragilisticexpialidocious, Spoonful of Sugar, Chim Chim Cher-ee, Let's Get Together, On the Front Porch, FortuosityIt's a Small World (After All), There's a Great Big Beautiful Tomorrow, and Winnie the Pooh, just to name a few. Nearly as impressive was the music they created outside the Disney stable: the single You're Sixteen and the soundtracks for Chitty Chitty Bang Bang, Charlotte's Web and Snoopy Come Home, among many others.

But, as much as their songwriting partnership required them to work closely professionally, they were never, even as brothers, close personally. Robert was the thoughtful and introspective writer. Richard was the gregarious and volatile composer. Over the years, those differences in personality coupled with stubbornness on both their parts eventually divided the duo. These days, Robert resides in London while Richard lives in Los Angeles. They still make appearances at events together, but they're always separate, not part of a team. To see them at the 2006 Broadway premiere of Mary Poppins--a few feet from each other, but miles apart--is one of The Boys most touching and maddening moments.

The back story to the making of The Boys is a movie in itself, as Robert's son Jeff and Richard's son Gregg set out to tell the story of their famous fathers as a means to somehow bring them closer together. That the sons' efforts are unsuccessful forms the emotional core of the film, which laments the estrangement of the Sherman Brothers as much as it celebrates their uplifting song craft.

Walt & El Grupo


In the summer of 1941, Walt Disney and a small group of studio artists, including Frank Thomas, Norm Ferguson and Mary Blair, set out on a goodwill tour of South America. The trip was made at the behest of the U.S. State Department, which was looking for all the friends it could get as World War II raged in Europe. Walt saw it as an opportunity not only to reach out to Latin culture, but also as a means to collect material for future cartoons and feature films. The trip ultimately inspired the movies Saludos Amigos and The Three CaballerosWalt & El Grupo is the story of that trip.

Unfortunately, the trip itself is the least interesting part of Walt & El Grupo. While it's certainly fun to see Walt atop a horse in Argentinian gaucho duds, so much of the footage in the film has been seen before, either in Saludos Amigos or in period newsreel footage. What El Grupo lacks is sufficient historical context. The South American trip came as Walt's studio was embroiled in a serious labor dispute which resulted in a strike while Walt was out of the country. It came on the heels of the box office failures of Pinocchio and Fantasia and production delays on Bambi. Only a few months after Walt's return to the states, the Japanese would bomb Pearl Harbor and the U.S. would be at war, thrusting the studio into a period of austerity as its film output went almost exclusively to support the war effort. These events are certainly touched on in El Grupo, but they aren't given any real gravitas. What were left with is Walt's home movies, What I Did During My Summer Vacation While My Studio Was Going to Hell.

Walt & El Grupo does throw in contemporary footage of South American locales to give it sort of a that-was-then-this-is-now feel, but I never quite got what the point was. Is there any real purpose to seeing the gutted remains of Rio de Janeiro's once grand Casino da Urca, the entertainment nightspot shown at the end of Saludos Amigos where Walt and his crew once spent some time? Are the film makers lamenting its demise? Is Walt Disney somehow to blame? I was left scratching my head.

Disney's Saludos Amigos travelogue is included as a bonus feature on the El Grupo DVD. I recommend getting your hands on the Classic Caballeros Collection instead. It has both Saludos Amigos and The Three Caballeros and contains the newsreel South of the Border with Disney. Combined, they give a more entertaining--albeit studio manufactured--take on Walt's South American adventure.

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Friday, September 11, 2009

D23 Expo - Day One Recap

Impressions, thoughts, and maybe a picture or two from day one of the D23 Expo in Anaheim:

Anika Noni Rose performs during the opening session at the D23 ExpoRobert Iger's Opening Keynote

A great, big, beautiful commercial for Disney (not that the whole of the D23 Expo isn't anyway) with an opening video splash of all the elements in the Disney universe. Everyone had their favorites and the crowd showed its appreciation accordingly. "Alice in Wonderland" (Johnny Depp especially), "Lost," and "High School Musical" all drew generous shares of applause. The audience positively roared for "Tron Legacy," though. Anticipation is very high for the 2010 game geek movie release.

Iger was pleasant and professional and apologized to the crowd for a nearly half-hour late start. He blamed it on giving more time for all the attendees to be seated. You could argue it was about crowd control, but it also could've been an issue of attendance--the arena was only about 2/3 full.

He talked at length about the Disney legacy and how we all grew up with it. Iger even admitted that, as a child, he owned a Davy Crockett coonskin cap. Nice. He followed it up with a montage video of Walt and the entertainment world he created.

Iger's mention of Disney's recent acquisition of Marvel Entertainment drew a pretty good round of applause. Disney fans (this group, at least) seemed to be ok with Wolverine standing side by side with Mickey Mouse.

The highlight of the opening was the screening of the first half-hour of "The Princess and the Frog," Disney's return to 2D animation coming out on November 25th. The movie definitely has a "Little Mermaid"/"Beauty and the Beast" feel to it--and I mean that in the most positive way--telling the story of Tiana, a working class woman with dreams of running a high class restaurant in New Orleans, who has a curious encounter with a cursed frog-prince. The movie has an jazzy musical score that absolutely grabs you. "Friends on the Other Side," performed by the the film's voodoo-practicing villain, Doctor Facilier, is an absolute show stopper. Think "Oogie Boogie's Song" meets "Under the Sea." Disney's return to fairytale story telling is going to be a hit. As an added treat after the preview, Anika Noni Rose, the Tony Award winning actress who voices Tiana, performed music from the movie.

Betty White and Robin Williams share a laugh with Mickey Mouse at the 2009 Disney Legends ceremony at the D23 Expo. Photo courtesy Disney/D23.Disney Legends Ceremony

In a rare public ceremony, Disney inducted this year's Legends honorees. Among the highlights:

Bob Iger singling out 97-year old Legend Art Linkletter (inducted 2005). He still looked pretty spry.

The daughters of Leota Toombs Thomas accepting the award for their mom with a warm and sincere speech. Leota did so much more in her decades of service to Disney Imagineering than just be a head in a crystal ball.

Tony Anselmo accepting his Legends award with a Donald Duck pitch-perfect "Oh boy, oh boy, oh boy!"

Betty White jumping the gun before host Tom Bergeron and Bob Iger finished introducing her. Even better was her later admission that she still owns a Mickey Mouse doll from when she was a child. She's one of us.

Robin Williams marveling at how Disney animators kept pace with him during his brilliant voice work as the Genie in "Aladdin." Who knew you could ever squeeze Jack Nicholson and William F. Buckley into a Disney cartoon?

Security
It's tight, make no mistake. For the arena events (Bob Iger yesterday, Dick Cook today), when they say no cameras, recording devices or cell phones, they mean it. Bags are searched, electronic items must be checked and, oh yeah, you'll be wanded just to make sure you're not sneaking anything in. It makes for a tense situation, though. Can that many people be without their iPhones and Crackberries for three hours or more? Scary.

Richard Sherman performs at the D23 ExpoMost Pleasant Surprise: Richard Sherman

The piano on stage was a dead giveaway, but how nice to see songwriter Richard Sherman perform following a showing of "The Boys: The Sherman Brothers Story." The movie is a nostalgic and touching look at Disney's prolific musical team, who wrote "Chim Chim Cher-ee," "Supercalifragilisticexpialidocious," "I Wanna Be Like You," "It's a Small World" and many, many more. The film focuses not only on Richard and Robert's songwriting successes, but also the decades-long strained personal relationship that leaves them virtually estranged from one another today. Richard performed some of their lesser-known songs, "Won't Be Long Until Christmas," "Your Heart Will Lead You Home," "The Ugly Bug Ball," and "River Song," but he couldn't resist reverting to the tried and true, leading the audience in a chorus of "It's a Small World." A terrific performance from a songwriter who, with his brother, doesn't get as much credit as he deserves for helping write the Great American Songbook.

I've got plenty more to share from the D23 Expo. On tap today is Dick Cook's Walt Disney Studios keynote--Nicolas Cage, Tim Burton and Robert Zemeckis will be paying a visit. Also slated is a screening of "Tron" with a sneak preview of "Tron Legacy," and look at the new "World of Color" nighttime water show headed to Disney's California Adventure next year.

See you real soon . . .

Tim

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Sunday, August 30, 2009

What to See at D23 - Day One


In less than two weeks, Disney will kick off the first "Ultimate Disney Fan Experience" when it presents D23 Expo at the Anaheim Convention Center September 10-13. Disney has been teasing the Expo for weeks, releasing bits and pieces of information online and on various Twitter feeds. This week, they released the most detailed schedule of meet-and-greets, events and seminars yet (and they keep adding to it). Here's a look at what stands out on the opening day of the show:

Thursday, 9/10/09

10:00 a.m. - Bob Iger Presentation, D23 Arena
Disney's President and CEO will never be accused of being the most dynamic speaker, but give him his props. He righted the company's image after the fall of Michael Eisner, bought Pixar when it appeared to be lost forever, and made Disney an industry leader in Internet-based integration. He'll officially launch the D23 Expo with his opening keynote. Expect lots of video clips and maybe a few stars joining him on stage.

11:00 a.m. - Disney Legends Awards, D23 Arena
Attend the Iger keynote if only to get a good seat for this year's Disney Legends ceremony, just the third time in its 22-year history that it's been open to the public and the first time it's ever been held outside a Disney property. Disney Legends honors those who "best embody the Company's unique creative spirit, personified by its founder." This year's honorees have yet to be announced, but past Legends include Julie Andrews, Steve Martin, Dick Van Dyke, Annette Funicello, Dean Jones, Art Linkletter, Howard Ashman and Alan Menken.

1:00 p.m. - 'Beauty and the Beast' 3D Preview and Panel Discussion, Walt Disney Studios Theater
I'm not sold on the idea of converting 2D animated classics to 3D--if it ain't broke, don't fix it. Still, I saw B&B's opening "Belle" sequence in 3D at this year's National Association of Broadcasters show and it looked amazing. The clip is certain to be shown at this presentation, perhaps with other segments as well. Definitely worth a look.

2:00 p.m. - The World of Vintage Disney--In Color, Storytellers Theater
Regardless of the presentation, if it brings out Imagineer Tony Baxter, see it. Baxter has a long history with Disney and speaks heartfelt and passionate about his experiences. His theme park credits include Big Thunder Mountain Railroad, Splash Mountain, Star Tours, and the Indiana Jones Adventure. At this session, he and Media Preservationist Ed Hobelman will show off early film footage of Disneyland in the 1950s and 60s. Don't miss it.

3:30 p.m. - Haunted Mansion: Sounds of Spooks and Music of the Macabre, Stage 23
Randy Thornton is Supervising Producer at Walt Disney Records and his work includes the impressive boxed sets "Walt Disney and the 1964 World's Fair" and "A Musical History of Disneyland." Honoring the Haunted Mansion's 40th birthday, he and engineer Jeff Sheridan will talk about the musical history of one of Disney's greatest attraction and the challenges and joys of compiling a new commemorative CD.

4:30 p.m. - An Afternoon With Imagineering Legends, Storytellers Theater
Last month, after over 50 years at Walt Disney Imagineering, Marty Sklar hung up his mouse ears and retired. At D23 Expo, he'll host a panel of Imagineering legends that will include X Atencio (Haunted Mansion, Pirates of the Caribbean), Alice Davis (It's a Small World, Pirates of the Caribbean), Blaine Gibson (Great Moments With Mr. Lincoln, Haunted Mansion, Enchanted Tiki Room) and Bob Gurr (Matterhorn, Submarine Voyage, Autopia). To quote Captain Barbossa, "There's not been a gatherin' like this one in our lifetime." Well, at least not at D23, anyway.

7:00 p.m. - 'the boys: the sherman brothers' story' Screening and Panel, Walt Disney Studios Theater
You'd be hard pressed to find a more prolific songwriting team than the brothers Robert and Richard Sherman--or a more dysfunctional one. Despite a musical partnership that produced "Chim Chim Cher-ee," "Supercalifragilisticexpialidocious," "I Wanna Be Like You," and "It's a Small World," among others, "the boys," as Walt Disney referred to them, have barely spoken to each other in decades. This documentary looks at the musical talent that held them together professionally and the family politics that continues to keep them apart personally. The film was produced by their sons Jeffrey and Gregory Sherman, cousins who hardly knew each other until they were adults, and includes interviews with Julie Andrews, Dick Van Dyke, Angela Lansbury, Roy E. Disney and Alan Menken. A fascinating look at one of the little-known stories of Disney lore.

Those are my faves for opening day. In the coming days, I'll be taking a look at the other D23 Expo events being held through the weekend, plus celebrity appearances and the must-see pavilions at the show. Stay tuned . . .