Showing posts with label bambi. Show all posts
Showing posts with label bambi. Show all posts

Sunday, February 21, 2016

The Mouse Castle Lounge 02-21-2016 - Filmmaker Pamela Tom Talks About Disney Legend Tyrus Wong



Tyrus Wong
Tyrus Wong is a Disney Legend. Though his time at the Disney Studios was brief—only three years from 1938-1941—his contributions there were profound. It was Tyrus’ artistic vision that gave Disney’s Bambi it’s lush impressionistic forest backgrounds, a look that still influences and inspires artists and animators nearly 75 years after the film’s release.

Tyrus’ work on Bambi represents only a small portion of his life’s prolific artistic output. Tyrus was part of the “Orientalist” art movement popular in the U.S. in the 1930s. After leaving Disney, Tyrus would spend over 25 years at Warner Bros. as a production illustrator and concept artists on such films as The Sands of Iwo Jima, Rebel Without a Cause, Harper and The Wild Bunch. He designed menus for restaurants and greeting cards for Hallmark. Today, at 105 years old, he still creates art, most notably ornate kites that he flies once a month on the beach at Santa Monica.

Bambi concept art by Tyrus Wong.
Two and a half years ago, I had the pleasure of meeting and speaking with Tyrus Wong for an episode of The Mouse Castle Lounge. We were at the opening of an art exhibition at The Walt Disney Family Museum--Water to Paper, Paint to Sky—that celebrated Tyrus’ life’s work. Our interview remains one of my all-time favorites as I was charmed by the man’s modesty, good humor and immense talent. It was also at this exhibition where I first met filmmaker Pamela Tom, who was in the middle of shooting a documentary about Tyrus. Today, that film is complete and Pamela is my guest.

Pamela Tom
Her film, appropriately titled Tyrus, is a moving and inspiring story of a man who overcame the hardships of poverty and racism to succeed as both a popular and fine artist. Completing this film has been a labor of love for Pamela as she met Tyrus Wong and conducted her first interview with him over 15 years ago.

Pamela is an award winning producer and director who has been involved with numerous film projects on PBS including WW2: Behind Closed Doors, Wired Science and the short film Two Lies. She is a respected educator who has taught at UC Santa Barbara, Loyola Marymount and UCLA Extension.

Tyrus will open CAAMFest in San Francisco on March 10, 2016. Save $15 on tickets to the opening night screening and gala. Use discount code CAAMTYRUS.

For more information about Tyrus, visit www.tyrusthemovie.com.

Enjoy!


By Tim Callaway

Wednesday, August 31, 2011

Home Video Roundup: 'Phineas and Ferb,' 'Bambi II'

Catching up on some recent and upcoming Disney home video releases:

Phineas and Ferb The Movie: Across the 2nd Dimension

The pleasure of Phineas and Ferb is that it's a TV show for kids that never forgets parents enjoy it too. Heck, I watch it and don't even have children at home. On the surface, the antics of two clever and resourceful half brothers who go on wild summertime adventures, aggravate their sister, and take care of a pet platypus that's really a secret agent, is just goofy, wholesome fun. That the show is full of enough puns and pop-culture references to keep adults entertained is a bonus.

Such is the joy of Phineas and Ferb The Movie: Across the 2nd Dimension, the Disney Channel Original Movie now available on DVD. In it, the boys crash a giant shuttlecock (just another day for them) into the evil lair of Dr. Doofenshmirtz and begin an adventure that takes them to "a brand new reality, a particle duality, a new dimensionality" where nothing is like what it was at home. In this parallel universe, Phineas and Ferb discover the true identity of their platypus pet Perry and join forces with their other-dimension sister Candace, who turns out to be the leader of a resistance movement against a truly evil Dr. Doofenshmirtz, who has plans of his own not only to rule his own dimension, but Phineas and Ferb's as well.

Movie and TV references abound, some obvious, others a bit more subtle. Keep your eyes and ears peeled for takes on Star Wars, Star Trek, Raiders of the Lost Ark and even The Jeffersons, The Honeymooners and Laverne & Shirley. Some of these moments may be lost on small kids, so be prepared when they stare at you, wondering what's so funny.

Oh, and on the way, don't forget to enjoy the muffin-serving Norm-bots and the furry-vicious Goozim monster. They're fun too. Plus, your DVD comes with a kit to build your own Platypult. It's cool!

Deep down in my soul, I'm 12, OK?

Bambi II

A few years ago, Disney decided (mercifully) to stop producing direct-to-video sequels and prequels to its classic animated films (well, sort of, if you count the relentless Tinker Bell/Fairies franchise). This has not stopped Disney, however, from re-releasing select titles from the days Michael Eisner ruled the kingdom.

For the most part, the DisneyToon movies made in the 1990s and 2000s were cheap imitations of their originals, with flat animation and heavy-handed "message" story lines. They were cheaply made cash cows that diluted the Disney brand and damaged the reputation of Disney animation.

A few films, however, did stand out from the crowd with a higher degree of artistry and story telling than their Toon brethren. Bambi II was one of them.

That's not to say that Bambi II (awkward title--it's working title was the far superior The Great Prince of the Forest) ranks among the classics of Disney animation. It doesn't. But it does have a serviceable story and some lush and very lovely background animation. It looks particularly good in its latest Blu-ray release.

The story is what I guess you'd call a "midquel." It actually occurs during the original Bambi, after Bambi's mother is shot (oops, sorry, was that a spoiler?) and before the animals reappear in the spring. Bambi is on his own, save for his father, the Great Prince of the Forest (voiced by Patrick Stewart in a nice bit of casting). Bambi's father is not accustomed to the responsibilities of motherhood. He's a serious "big picture" guy, accomplished in looking out for the safety of the herd, but uncomfortable with raising a rambunctious fawn one-on-one. Can he and his son form a bond and, together, survive the harsh winter?

The story is predictable and sappy--Bambi learns responsibility; dad lightens up--but it's told with a respect for the characters that's endearing (enDEARing, get it?). The movie climaxes with a suspenseful and tightly-edited chase scene involving Bambi and a pack of vicious hunting dogs. It's really well done, especially for a DisneyToon entry.

I'm sure you have your own opinion about whether or not classic Disney animated films should have been followed-up on or retooled, but Bambi II does stand on its own as a good--not great--chapter in the Disney animated canon. At least it's not as egregious as The Lion King 3D.

The Lion King 3D

(sigh) I couldn't bring myself to attend the screening of The Lion King 3D during the D23 Expo. If you read my blog, you know why. I did, however, agree to see a sneak preview of the movie in 3D Blu-ray on the Expo floor. I'm happy to report the Blu-ray transfer is fantastic, with stunning color and excellent sound.

The 3D, however, is freaking annoying.

The Lion King is one of Disney's great film achievements. Produced by Don Hahn and co-directed by Roger Allers and Rob Minkoff, with songs by Elton John and Tim Rice, it was Disney at the top of its game during its 1990s animation renaissance. But The Lion King is, was and always will be a 2D motion picture. Viewing the opening "Circle of Life" number in 3D illustrates the problem with the conversion. While it was kind of fun seeing Zazu float in front of my eyes as he glided up to Pride Rock, the rest of the scene involved so many quick cuts and focus shifts among the animals in the Pride Lands (which worked terrific in 2D), the 3D became a jarring distraction. I was watching a series of effects, not enjoying a classic animated film. I'm afraid the opening four minutes was about all I could take.

The Lion King 3D will open in select theaters on September 16, followed by a Blu-ray 2D and 3D release on October 4. I'll be sticking with the 2D, thank you very much.

Coming Soon: Cars 2 and Planes

Pixar's underrated Cars 2 comes to home video on November 1. Lightning McQueen and Mater's foray into international espionage will be released on Blu-ray Combo Pack, Blu-ray 3D, Movie Download and DVD. Disney will also release an 11-Disc Combo Pack that includes both Cars movies--plus a collection of Mater's Tall Tales short cartoons--packaged together on Blu-ray, DVD and Digital Copy.

Three and a Half Men's Jon Cryer will provide the voice of Dusty, a small crop duster with big ambitions in DisneyToon Studios' Planes, due out in spring 2013. Inspired by the Cars franchise, Jon Lasseter will produce this direct-to-video release that will take the movies' hero on a "Wings Around the Globe Rally" to pursue his lifelong dream.

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Disclosure

Thursday, March 17, 2011

Royalty Rights to Disney Music Go on the Auction Block

Disney composer Frank Churchill
Have you ever wanted to own a piece of Disney's vast music history? Now's your chance. The song rights auction house SongVest will auction off shares of the royalties from the complete music catalog of Frank Churchill beginning on April 30.

Churchill was the in-house composer for the Walt Disney Studios prior to World War II. He wrote the music for dozens of short cartoons in the 1930s and penned Disney's first bona fide hit Who's Afraid of the Big Bad Wolf? for 1933's The Three Little Pigs. When Disney animation went feature length, it was Churchill who scored Snow White and the Seven Dwarfs, co-writing the classic tunes Whistle While You Work, Heigh-Ho and Someday My Prince Will Come.

Churchill's compositions were nominated for five Academy Awards. With Oliver Wallace he won the award for Best Score for 1941's Dumbo.

The last Disney feature film he worked on was the score for 1942's Bambi, which included the songs Little April Shower and Love is a Song.

Churchill's talent for sweeping scores and bouncy, singable tunes belied his personal demons. Depressed and alcoholic, he committed suicide at his home near Los Angeles in 1942. He was 40.

Disney spotlighted Churchill's work in this bonus feature clip from the recent Diamond Collection home video release of Bambi on Blu-ray and DVD:


Over the years, royalty rights to Churchill's music passed to the family of the husband of Churchill's surviving spouse. Through SongVest they will be auctioned off in 5% and 10% lots. Bids will be accepted from April 30 through May 7, 2011. The minimum bids will be $500 for the 5% shares and $1,000 for the 10% shares. Once obtained, the winning bidders will receive quarterly royalty payments from the licensing of the music library. These are royalty rights only, not ownership of the songs themselves.

According to SongVest's website, this is the first time the royalties from any Disney song have ever become available to the public. It won't make you rich--5% increments have an estimated value of $346 annually--but, for a Disney fan, the bragging rights would be priceless.

For auction details and information on how to register, visit http://unbouncepages.com/disney/.

UPDATE 4/30/11: Songvest has postponed the Frank Churchill auction. According to their website, the auction will resurface at a later date at the new Royalty Exchange website.


Thursday, March 3, 2011

Second Screen: 'Bambi' for the ADD Generation

John Lasseter on the Grid at the Oscars
John Lasseter brought his iPad to the Academy Awards last weekend.

The picture says it all. There he sat on the aisle inside the Kodak Theater, Pixar's creative guru perusing the Oscar Backstage Pass app. It had live streaming video of various behind the scenes locations including the press room and a "Thank You Cam" where award winners could issue addenda to what they didn't have time to say on stage. John was wired in. Maybe he was keeping tabs on the broadcast control room or even following Toy Story 3 director Lee Unkrich's play date with destiny after winning the Oscar for Best Animated Feature. The choices were many. There was red carpet coverage prior to the ceremony and shots of the Governors Ball afterwards. John himself had been caught on camera near the lobby earlier in the evening, joyously waving his iPad in front of the "Champagne Cam" as if to say, "See? I'm hip, I'm cool, I'm connected...and I'm at the Oscars, bitches!"

I know this, of course, because I was following John--and Colin and Natalie and Christian and Melissa and the rest of the Hollywood elite--on my iPad at home while I watched the proceedings on TV and simultaneously tweeted a steady stream of 140-character bon mots on my iPhone. 

It's all about the interactivity, baby.

My girlfriend--who remembers a time when the two of us would do things together without the company of 2,000 virtual friends--watched me with bemusement.  She's not particularly tech savvy. More like tech indifferent, actually. She has a cell phone that just makes phone calls, can you imagine?

As my fingers danced nimbly and relentlessly between Twitter and Facebook, my right eye comparing backstage camera angles and my left eye tracking Anne Hathaway's wardrobe changes, Jeanne asked me if I really had to watch the Oscars this way. Her question was based on the assumption that no sane person would do this voluntarily. I assured her that not only was I on the brink of sensory overload of my own free will, I was HAVING FUN DOING IT.

(help me)

There is a popular website for those of us who need to disengage from our ADD behaviors. It's called Do Nothing for 2 Minutes, where you basically, umm, do nothing for two minutes except listen to the sound of soothing ocean waves while a clock silently counts down the seconds. Move your mouse or otherwise fiddle with your computer and you'll receive a "Fail" message, requiring you to start over with a fresh two-minute clock.

I've found I can easily master two minutes of inactivity, sometimes even longer (I call those periods "naps"). Where the challenge comes is trying to do one thing--and only one thing--for any period of time. We live in a world of multitasking, whether in the workplace or at home. Our jobs and our families are constantly competing for our attention, not to mention the presence of the Internet, trash TV and the 24-hour news stream. Do anything remotely interesting and you feel compelled to text, tweet or Facebook about it to anyone within reach. You know you can't resist.

You've got your smartphone in your hand right now, don't you?

Man was in the forest...and he installed Wi-Fi.
Exploiting our need for more input, Disney released Bambi on Blu-ray this week with a devilish add-on feature called Second Screen. Remember when we were content to view Disney DVD bonus features after we saw the movie, immersing ourselves in all kinds of concept art, games and "making of" featurettes? Now you can do it while you watch the movie, provided you have a computer or iPad handy. The movie is synchronized with what's on your secondary device, so while you're watching Bambi chase a butterfly on TV, you can manipulate the same scene on Second Screen like an electronic flip book and study the detail of how the images were drawn. That's just one element. There are plenty of design sketches, trivia pop-ups and games to create even more distractions. And, should you get sidetracked on a puzzle or activity, Second Screen keeps track of where you are and gets you back in sync with the film.

It's extremely clever technology, the bonus material is fascinating and it's all free (just enter the "magic code" found inside the Blu-ray box), but after about 15 minutes, it gets pretty tedious and frustrating. What do I watch, the movie or Second Screen?  OMG, Bambi's moved on to the next scene and I'm still piecing together pictures of birds. I'm falling behind! ACCCK!

Attention deficit disorder, FAIL!

With time, I discovered the best way to appreciate Second Screen is to just focus on the app and not worry about watching the TV. As long as you can hear the movie, it's easy to follow along. That's the work around, but does that mean Second Screen really enhances your movie-viewing experience? I'm going to say no.

However...

Thank you Disney for pointing out one thing I can do without succumbing to distraction: Enjoy a well-crafted piece of animation history with no smartphone or Internet connectivity necessary. I know Jeanne appreciates it.

Hey, I may be onto something here.