Showing posts with label John Lasseter. Show all posts
Showing posts with label John Lasseter. Show all posts

Tuesday, August 25, 2015

Inside The Mouse Castle 08-24-2015 - Jungle Cruising with Dwayne Johnson, Kind Words for Cinderella, Banksy's Dismaland

By Tim Callaway



Pirates with the lights on.
Pirates of the Caribbean with the lights on, a Haunted Mansion scolding, hard root beer and coconut-flavored vodka. 

And yeah, I guess Anthony and I talk about some Disney news too.

Inside The Mouse Castle this week, we revisit a few more items from the D23 Expo and Anthony's trip to Disneyland with his parents. We also imbibe a few tasty beverages as has become our habit since we started recording the show late at night. Don't judge.
Here's what else is going on:
  • The long-rumored Jungle Cruise movie, at one time expected to star Tom Hanks and Tim Allen, is back on track, this time with Dwayne Johnson on board.
  • John Lasseter played Jungle Cruise skipper for real last Tuesday, taking guests on a trip through the exotic waterways. And, wouldn't you know? Josh Gad was there to document it.
  • Disney's live-action Cinderella comes out on Blu-ray and Digital HD on September 15th. In the spirit of the little cinder girl's upbeat philosophy, fans are encouraged to "have courage and be kind" at www.CinderellaKindness.com
George Clooney in Tomorrowland.
  • Also available on video beginning October 13th is Brad Bird's Tomorrowland, starring George Clooney, Britt Robertson and Hugh Laurie. I was disappointed the first time I saw it, but not so much that I won't give it a second look.
  • Japan's largest airline, ANA, is launching a fleet of Star Wars-themed airplanes (okay, four) featuring droids R2-D2 and BB-8. They'll start transporting passengers, both domestic and international, this fall.
  • A federal judge refused to dismiss a lawsuit filed against Disney, DreamWorks and several other animation studios accusing them of collusion and wage fixing. This follows on the heels of a similar suit that was thrown out in April for falling outside the statute of limitations. 
  • Graffiti artist Banksy is taking a satirical shot at Disney parks with his new exhibition "Dismaland." This "bemusement park" takes up space at an old public pool in Weston-super-Mare in southwest England. Its centerpiece is a rotting, decrepit castle surrounded by a warped mermaid statue and a crashed police van. The exhibition is, of course, staffed by surly greeters and security guards. Over 50 artists from 17 countries have contributed to the project, which takes swipes, both good-natured and cynical, at not just theme parks, but at immigration laws and 21st-century activism. The exhibition will be open through September 17, 2015. 


Enjoy!



Tuesday, May 26, 2015

The Mouse Castle Lounge 05-25-2015 - Former Disney Animation Story Man Steve Hulett, Part One

By Tim Callaway



For ten years in the 1970s and 80s, Steve Hulett was a story man at Disney Animation, following in the footsteps of his father, longtime Disney artist Ralph Hulett. Steve was with the company during the most unique of times, the period after Walt Disney’s death--when his company was struggling to find its identity--until it came back in a big way under the leadership of Michael Eisner, Jeffrey Katzenberg and Frank Wells. It was a time when the old guard of Disney animation, the Nine Old Men, were making way for the new blood of Disney Animation, people like Glen Keane, Don Bluth, John Lasseter and Tim Burton.

In his book, Mouse in Transition: An Insider's Look at Disney Feature Animation, Steve Hulett tells candid tales about his years at Disney where he worked on such films as The Fox and the Hound, The Black Cauldron and The Great Mouse Detective. In addition to recalling the creative work, Steve shares plenty of stories about the office politics and ego clashes that went on behind the scenes. In part one of my conversation with him today, Steve touches on a few of those stories, as well as a memorable encounter with Hollywood legend Mickey Rooney.

Related Story: The Mouse Castle Lounge 06-07-2015 - Former Disney Animation Story Man Steve Hulett, Part Two


Thursday, March 19, 2015

The Mouse Castle Lounge 03-19-2015 - Disney Legend Floyd Norman, Part Two

By Tim Callaway


Floyd Norman and Tim Callaway
Floyd Norman, me and our dalmatians.
Floyd Norman loves Disney and appreciates the many years he’s worked for the company as an artist, animator, cartoonist and story man. But, he’s never been afraid to tweak the nose of management or pretentious artists that truly deserve it. If you follow Floyd on Facebook or read his Mr. Fun blog, you’ll see what I mean. Better still, visit iBooks and check out Floyd’s sharp and clever collections of gag cartoons like Suspended Animation, DISK DRIVE and Son of Faster, Cheaper.

Last week, I talked to Floyd about his early career at Disney and his work on films like Sleeping Beauty, The Sword in the Stone and The Jungle Book. Today, Floyd talks about what it was like to work for Walt Disney, John Lasseter and Steve Jobs, why he still respects former Disney CEO Michael Eisner and how Floyd rescued Thunderbolt the Wonder Dog from certain death on the Blu-ray release of 101 Dalmatians.

Give a listen to part two of my conversation with Floyd Norman in The Mouse Castle Lounge. Enjoy!

Related: The Mouse Castle Lounge 03-12-2015 - Disney Legend Floyd Norman, Part One


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Thursday, October 23, 2014

Inside The Mouse Castle 10-22-2014 - 'Moana,' 'Avengers: Age of Ultron' and the Walt Disney Birthplace Restoration


Avengers: Age of Ultron
Avengers: Age of Ultron
Yep, we're blaming Hydra.

If Marvel can finger its fictional terrorist group for leaking the trailer for Avengers: Age of Ultron six days early, then we can blame them for the technical issues that kept Tuesday's Inside The Mouse Castle off the air until tonight.

Actually, it was a wonky HP laptop that caused our podcast problems. Who knows what nefarious force made the Internet explode with glee when the new Avengers trailer found its way online? Entertainment websites everywhere posted the lo-res video before Disney and Marvel quickly slammed the door on the leak. But, since nothing online is ever really deleted once it goes viral, Marvel had no choice but to release the official trailer well before its scheduled TV premiere on next Tuesday's Agents of S.H.I.E.L.D.

For our part, you won't hear anything about the leak in today's ITMC. Anthony and I recorded the show well before the story broke. Rest assured, we'll be talking about it plenty on Friday's show.

(l. to r.) Chris Hemsworth, Chris Evans, Jeremy Renner,
Robert Downey, Jr. and Don Cheadle in Avengers: Age of Ultron.
And so, here's the trailer for Avengers: Age of Ultron in all its intense, epic, superhero glory. WOW!!!



Also in today's show:
  • Moana, an adventure set in the oceans of Polynesia, is Walt Disney Animation Studios newest project. John Musker and Ron Clements (The Little Mermaid, Aladdin) are directing the film which is due for release in late 2016.
  • What's better than listening to the Guardians of the Galaxy Awesome Mix Vol. 1 on CD or vinyl? How about listening to it on cassette, just like Peter Quill intended?

  • Keston Ott-Dahl and her wife Andrea have a young daughter with Down Syndrome. They've started an online petition to ask Disney to create a special needs princess their daughter and others like her can relate to. Do we think it will succeed? Probably not, but it's not a bad way to raise awareness of Down Syndrome. For more info visit www.delaneyskye.com.
  • Disney Fantasia: Music Evolved is an imaginative and beautifully rendered video game that cleverly interacts with all styles of music from classical to contemporary pop. It's available now for Xbox One and Kinect for Xbox 360.
  • Start some good and support the restoration of the Walt Disney Birthplace, the Chicago home built by Elias Disney where his son Walter was born. To contribute to the cause, visit www.startsomegood.com/WDB.


Enjoy!

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Listen and subscribe to Inside The Mouse Castle on iTunesStitcher and SoundCloud.


Tuesday, September 9, 2014

Inside The Mouse Castle 09-09-2014 - Disney's Legal Woes, No 'Iron Man 4,' and 'Guardians' Sets a Marvel Record


A class action suit has been filed against Disney and other studios including Dreamworks Animation, Pixar, Lucasfilm and ImageMovers Digital. It's the latest development in an ongoing series of legal issues involving high-tech companies like Apple, Google, Adobe and Intel that has now spilled over into animation. At the heart of the controversy are alleged "anti-poaching pacts" between the named companies by which they agreed not to recruit talent from each other. The fallout of these "gentlemen's agreements" is that employees were potentially denied better career opportunity and higher salaries. It's an illegal and unethical practice that may have been done with the full knowledge and approval of top executives including Steve Jobs, Ed Catmull, John Lasseter and Jeffrey Katzenberg.

In the latest Inside The Mouse Castle, Anthony and I discuss the controversy and how Disney could be in a world of hurt over the results. We also revisit the Mouse House's trademark battle with musician Deadmau5, who is not backing down from the fight and is actually going on the offensive.

Also in this episode:
  • Guardians of the Galaxy continues to take advantage of weak movie competition to rule the box office.
  • Robert Downey, Jr. told Variety there are no plans for an Iron Man 4 and he may be telling the truth...for now. We talk about what we think Marvel's long-term cinematic plans for Tony Stark might be.
  • Now is a good time to catch up on Marvel's intertwining story lines. Both Captain America: The Winter Soldier and season one of Agents of S.H.I.E.L.D. are now available on Blu-ray.
Enjoy!

Robert Downey, Jr. in "Iron Man 3"
Will Robert Downey, Jr. suit up for Iron Man 4?
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Tuesday, June 17, 2014

Brad Paisley Goes 'All In' for Disney's 'Planes: Fire & Rescue'

Planes, Disney's ugly cousin to Pixar's Cars franchise, will be back in theaters on July 18th with Planes: Fire & Rescue. Dusty Crophopper, the unlikely crop dusting race champion from the first film will return as an even unlikelier member of an elite firefighting team.

Country singer Brad Paisley, no stranger to writing songs for Disney/Pixar films, has crafted two tunes for Planes: Fire & Rescue. All In is his tribute to the courage and dedication of firefighters that also honors members of his family who are firefighters themselves. In the video below, Paisley talks about the song and how he came to write it.


www.themousecastle.com

Sunday, June 23, 2013

'Monsters University,' 'Oz' on Blu-ray, and Howard Ashman Part 3 Inside The Mouse Castle Lounge

Behold, the wonderful land of Oz!
It's always nice to have guests who can do the heavy lifting for you in a podcast. Today's episode of The Mouse Castle Lounge includes plenty of guest talk and celebrity soundbites. It certainly made my job easier to shut up and let them have their say. I'm pretty sure you'll enjoy them too.

First, we'll hear from the cast of Oz the Great and Powerful, which debuted on home video this month. This is a movie that surprised me when it hit theaters in March. I didn't expect to enjoy it as much as I did. I was fearful it would be just another soulless, mindless exercise in CG effects (kind of like Tim Burton's Alice in Wonderland, to which it had been compared). Guided by the steady and creative hand of director Sam Raimi, however, Oz turned out to be a highly entertaining fantasy-adventure that more than holds its own next to 1939's Wizard of Oz, not to mention the original Oz books by L. Frank Baum. In the Lounge, Raimi talks about the efforts that not only went into making the film, but also went into putting together the bonus features that are included on the Blu-ray disc. Stars James Franco, Mila Kunis, Rachel Weisz, Michelle Williams and Zach Braff give their behind-the-scenes input as well.

Next, we'll be on the blue carpet for the premiere of Monsters University in Hollywood. The prequel to Monsters Inc. opened this weekend to favorable reviews and big box office returns ($82 million). Billy Crystal (back as the voice of Mike Wazowski), John Lasseter and director Dan Scanlon chime in with what makes the Monsters franchise and its characters so special.



Finally, I'll have part three of my very special conversation with Sarah Ashman Gillespie as we wrap up our discussion of her late brother, Howard Ashman. Howard had a legendary career with Disney, co-writing the songs for The Little Mermaid, Beauty and the Beast and Aladdin. In 1991, he died far too young at the age of 40 from complications associated with AIDS. Sarah speaks candidly about her brother's illness and the support he received from his family, friends and colleagues at a time when very little was known about the disease and society's attitude towards it was oftentimes less than sympathetic.

Famous and fascinating people doing most of the talking. That's my kind of show. Please enjoy today's edition of The Mouse Castle Lounge.



The Mouse Castle Lounge can also be heard on iTunes and Stitcher.

Related: Sarah Ashman Gillespie, Part One
             Sarah Ashman Gillespie, Part Two


Tuesday, May 7, 2013

MCL: "Iron Man 3" Reviewed, the Official Princess Merida and Pez Ratzenberger

There's nothing like staying up late to finish a podcast when you have to catch a 6:00 a.m. flight to San Francisco. It's for a good cause, though, as I get to preview the Walt Disney Family Museum's new exhibit showcasing the dark and fanciful art of Camille Rose Garcia. In the meantime, though, here's the latest from inside The Mouse Castle Lounge: I have my review of Iron Man 3, all the details about how Merida is becoming an official Disney princess, and why it's cool John Raztenberger is being immortalized in Pez dispensers. Enjoy!


The Mouse Castle Lounge can also be heard on iTunes and Stitcher.

Monday, November 12, 2012

Home Video Preview: 'Pixar Short Films Collection: Volume 2'

La Luna
Five years ago, Disney released the first Pixar Short Films Collection on home video. It was a seminal compilation of Pixar's early cartoons, starting with John Lasseter's breakthrough experiments in computer animation from the mid-1980s, The Adventures of Andre and Wally B. and Luxo Jr. This 13-film collection also included the Academy Award winners Tin Toy (1988), Geri's Game (1998) and For the Birds (2001), all films that would be the proving ground for up-and-coming animators (including Lasseter) as Pixar made its inevitable plunge into feature films. On this single DVD, you could witness the growth of computer animation in leaps and bounds as movement, texture and complexity improved dramatically with each short film.

On Tuesday, Disney will release the Pixar Short Films Collection: Volume 2, and while you won't see quite the evolution of technology you witnessed in Volume 1, you will get a dozen entertaining tales, because the one constant in any Pixar creation is story. Even when computer animation was limited to anthropomorphic desk lamps, unicycles and windup toys, it's always been Pixar's gift to inject a good deal of heart, humor and humanity into its characters.

Tops among the Volume 2 entries is Day & Night (2010), director Teddy Newton's incredibly clever look at what happens when the keepers of light and darkness meet. First, they're overcome with suspicion and jealousy, but with time they learn to appreciate each other's differences with a sense of adventure, fun and common purpose.


Also notable are La Luna (2011), a gentle, dreamy fable about a boy who learns the business of tending to moonlight and falling stars from his father and grandfather, and Presto (2008), the story of a magician who learns there are repercussions when you don't properly feed the rabbit in your hat. I particularly enjoyed Presto for its frenetic silliness reminiscent of 1940s-era Warner Bros. cartoons. The gags come fast and furious as Alec the bunny uses his boss's magic against him to acquire the tasty carrot he craves.

Presto

For Toy Story fans, the Volume 2 collection also includes the "Toy Story Toon" shorts Hawaiian Vacation and Small Fry.


Small Fry

John Lasseter accepts his 1979 Student
Academy Award from actress Quinn
Cummings for Lady and the Lamp.
Now, if you're a collector of Pixar DVDs and Blu-rays, there's a very good chance you have all the short films in this collection already. They can all be found scattered among the bonus features in Pixar's home video releases over the past five years (La Luna is included in the Brave Blu-ray, also available this week). That said, the reason to get this disc is for the bonus features, which include the early student work of Pixar directing icons John Lasseter (Toy Story, Cars), Andrew Stanton (Finding Nemo, WALL-E) and Pete Docter (Monsters, Inc., Up). It's fun to see how their short film projects at CalArts informed (and still inform) their work decades later. Lasseter's Nitemare, about a little boy confronting the monsters in his bedroom at night, is a direct precursor to Monsters, Inc. and the upcoming Monsters University. Likewise, his film Lady and the Lamp (for which he won a Student Academy Award in 1979) would influence Toy Story and Cars in its ability to bring inanimate objects to life.

My favorite of the student films is Stanton's Somewhere in the Arctic, a simply animated (Stanton acknowledges he was one of the weaker animators in his group at CalArts) bit of silliness about a savvy polar bear who outwits a trio of high-strung hunters. Like Presto, it has a Warner Bros. sensibility to it with its use of random, non-sequitur jokes (where does a polar bear find a boombox anyway?). It's fun to watch and, as Stanton points out in his introduction, it's a reminder of how an audience will let a film maker get away with shortcuts in animation as long as there's a good story.

For all of Pixar's technological accomplishments in animation, the greatest strength of its creative people has always been their ability to tell a story. As the Pixar Short Films Collection: Volume 2 demonstrates, even before they ventured beyond the walls of CalArts, Lasseter, Stanton and Docter had that gift.


La Luna

www.themousecastle.com

Thursday, March 8, 2012

It's Official: Cars Land Will Open June 15

Cars Land at Disney California Adventure
Yesterday, after months of speculation, Disney finally made it official.

Cars Land and Buena Vista Street will open at Disney California Adventure on June 15. They'll be the final additions of a 5-year expansion and re-theming of the once-maligned park. Disney has spent over a billion dollars to make DCA stand out on its own with new shows and attractions including World of Color, Ariel's Undersea Adventure, Silly Symphony Swings, Goofy's Sky School and a general face lift for the Paradise Pier area.

It's a series of improvements that even John Lasseter (wearing his Principal Creative Advisor for Walt Disney Imagineering hat) acknowledges was much needed. In an interview last year, he said "There's a magic to Disneyland, the original park. And, when California Adventure opened up (in 2001), it was not a Disney Park. It was a Disney park on a budget."

That is changing.

The faux-Southwest vistas of Cars Land take up 12 acres on the south end of DCA. Its E-ticket attraction, Radiator Springs Racers, a Test Track-like high-speed spin through Ornament Valley, will be one of the largest single rides Disney has ever built. Other attractions up the street include the kid-friendly tractor ride, Mater's Junkyard Jamboree, and the ride I'm looking forward to the most, Luigi's Flying Tires. It's patterned after Disneyland's iconic Flying Saucers of the early 1960s, the one attraction that as a child I was too small to go on. By the time I would've been big enough, the ride was torn down to make way for Tomorrowland 1967. To a four-year old who thought the Saucers were the coolest thing ever, it was devastating. I've waited over 45 years to finally get my turn. I can't wait.

A few months ago, Lasseter took Luigi's Flying Tires for a test run. He seemed pretty excited:


When the temporary walls that have been lining the entrance to DCA come down in June, they'll reveal a brand new Buena Vista Street, an entrance plaza that will capture the spirit and style of Los Angeles in the 1920s, the time when Walt Disney first came to Southern California to seek his fortune. The centerpiece of Buena Vista Street will be the Carthay Circle Theatre, patterned after the famed site where Snow White and the Seven Dwarfs premiered in 1937. The building will house the Carthay Circle Restaurant, a fancy restaurant and lounge.

Carthay Circle Theatre
Traversing Buena Vista Street will be two Red Car Trolleys, modeled after the transportation system that once serviced Southern California. Other additions that will round out DCA Redux are the Ghirardelli Soda Fountain and Chocolate Shop at Pacific Wharf and the Mad T Party, which will replace ElecTRONica as the Hollywood Pictures Backlot's hopping night spot.

Here's a sneak preview, courtesy of Disney, of all there is to see and do in Disney California Adventure starting June 15:


To make final preparations for the grand opening and to allow for a media preview, DCA will be closed on June 14.


Wednesday, November 9, 2011

Cars 2's British Intelligence

An Oscar-winning movie legend, an accomplished actress of stage and screen and a cross-dressing stand-up comedian. Quite a diverse trio makes up the British voice cast of Cars 2, Pixar's hit summer release now available on Blu-ray, DVD and movie download. Even with their varying backgrounds, though, the Brits easily found a common ground in their admiration for Pixar and director John Lasseter, despite never getting to see each other during production.

Comedian Eddie Izzard voices Sir Miles Axlerod in Cars 2.
"I love doing animation," says Eddie Izzard, the voice of Cars 2's Richard Branson-esque tycoon and adventurer Sir Miles Axlerod. "But, I get upset that I never get the chance to meet the other actors in the movie. It never happens. We always record our dialogue alone in a sound booth. We don't meet each other until the promotional stage. It always feels a little strange to meet someone for the first time, even though you've been working on the same project for a couple of years."

Izzard is no stranger to animation, having voiced characters in several other films, most notably the caustic koala bear Nigel in The Wild. Sir Miles, the racing promoter who brings Lightning McQueen and a host of international race cars together to compete in the World Grand Prix, was somewhat of a departure for the comedian, who's more prone to waxing funny on topics ranging from religion to Stonehenge to evil giraffes, oftentimes doing so in full drag. "When it comes to Sir Miles Axlerod," he says, "I just had to be as real as I possibly could, but not use any of my comedy skills. I had to play Miles as a very straight-laced character, so I was very jealous of other actors like Larry the Cable Guy (Mater) who got to use their comedy chops in the recording booth."

Also playing it fairly straight (as straight as you can in a world of talking cars) was Emily Mortimer, daughter of the late author and screenwriter John Mortimer (Rumpole of the Bailey). Emily took a direct approach to her character, the earnest and competent spy car Holly Shiftwell. Says she, "They just wanted me to play the character from my own personal point of view. Obviously, she's a spy car and there are lots of technical words to get my mouth around, but I just put myself in her situation. I imagined that I was going through whatever she goes through in the story."

Emily Mortimer (l.) with Cars 2 director John Lasseter.
Emily put a lot of faith in director John Lasseter to help her find the heart of her character, a challenging feat when you're grinding away alone inside a recording studio. "Everything is very slow and gradual on an animated film," says Emily. "It's not like on a regular movie where you're given a shooting script and you know everything that's going to happen. You're completely reliant on the director to paint a picture and give you a feeling of what's going on. It's a very organic process.

"I found myself completely relying on (John Lasseter). He would guide me through the story and you know you're in safe hands with him. I would have freaked out if it had been anyone else, but John was amazing."

More comfortable in the recording studio was Academy Award-winner Michael Caine, a veteran of radio, movies and television for over 50 years. "I've done a lot of radio in my life," he says. "I did a number of radio plays for the BBC when I was young, so I'm used to the style of work where you just use your voice. Projects like this are always great for me because I have a very distinctive voice. I open my mouth and everybody knows it's me."

That recognizable voice solidly lent itself to Caine's character Finn McMissile, a super spy that mentors the young Holly Shiftwell and convinces himself that the dimwitted tow truck Mater is somehow an American master spy. Spies come easy to Caine, who played counter-espionage agent Harry Palmer in a number of films, most notably 1965's The Ipcress File. Palmer is a complete 180 from the flashy Finn, however, who has more in common with Palmer's more suave movie contemporary, James Bond. "Harry Palmer was an ordinary guy," says Caine. "He did his own shopping in the supermarket so there was a reality to it. That's exactly what some spies did back then. They pretended to be ordinary people. A friend of mine met (former Russion President) Vladimir Putin once. Putin was in the KGB, but he said to my friend, 'Tell Mr. Caine we used to watch all his movies and laugh because he was such a clever spy. We were never that clever!'

London concept art with "Big Bentley" in the background.
For Cars 2 to take its main characters on a trip around the world beyond the safe confines of Radiator Springs, authenticity was key. Destinations such as Tokyo, Paris and the fictional Porto Corsa (a cross between Portofino, Italy and Monaco) were designed by the filmmakers to look as real as possible, even in a world populated by cars. To create London, the Pixar artists designed close to 20 miles of environment and landscape, an effort not lost on the British cast. "The attention to detail is outstanding," says Izzard, "especially when it comes to the London scenes in the film. I've run the London Marathon, so I know certain areas of the city intimately. When the film pans along The Mall towards Buckingham Palace, I've run there and that is definitely the London that I know. They've done a fantastic job in recreating it in a Cars style."

Adds Caine, "I think it requires a great deal of patience to create an animated film and I have very little patience. John Lasseter is a fabulous director and he must have tons of patience. He's very good with actors. The actors' relationship with the director when you do these sorts of movies is far more intimate than it is with a director on other movies. He's the best."

Related Stories:
'Cars 2' Rules the Road
A 'Cars 2' Toy Story

www.themousecastle.com

Thursday, November 3, 2011

John Lasseter Receives a Star on the Hollywood Walk of Fame

On Tuesday, John Lasseter was honored with a well-deserved star on the Hollywood Walk of Fame. The Chief Creative Officer with Walt Disney and Pixar Animation Studios attended the unveiling with a host of friends, family, celebrities and colleagues. Lasseter's star is 2,453rd on the famous walk and is located just outside the El Capitan Theatre.

Following the ceremony, guests were treated to an exclusive luncheon and after-party at the El Capitan and Disney's Soda Fountain and Studio Store, catered by celebrity chef Guy Fieri.

The event coincided with the release of the Lasseter-directed Cars 2 on home video.

John Lasseter gets his star.

Lasseter gets zinged by Mr. Potato Head himself, Don Rickles.

(l. to r.) Brad Paisley, John Ratzenberger, Patton Oswalt, Don Rickles,
Emily Mortimer, Nancy Lasseter, John Lasseter, Owen Wilson, Randy Newman,
Bonnie Hunt, Cheech Marin

John and Nancy Lasseter

Brad Paisley and Randy Newman

Cheech Marin and Don Rickles

A couple of Johns, Ratzenberger and Lasseter

(l. to r.) Nancy Lasseter, John Lasseter, Bonnie Hunt, Emily Mortimer

(l. to r.) Emily Mortimer, Brad Paisley, Cheech Marin, Randy Newman,
Bonnie Hunt, Owen Wilson, Patton Oswalt, John Ratzenberger

During the ceremony, Pixar's perennial "good luck charm" John Ratzenberger stole the show with an explanation of why he's voiced a character in every Pixar feature film.


In a fitting tribute, John Lasseter honored Pixar's late co-founder, Steve Jobs.


Bonnie Hunt, Emily Mortimer, Brad Paisley and John Lasseter comment on the day's honor and honoree.


Photo Credit: Alex Berliner/ABImages

www.themousecastle.com

Wednesday, October 5, 2011

Steve Jobs, 1955-2011

As the somber news of the death of Apple visionary Steve Jobs echoes through every corner of the Internet, where talk of Macs and iPods and iPhones and iPads abound, Disney fans mourn the passing of the man without whom Pixar would never have existed.

In 1986, it was Jobs who purchased Lucasfilm's computer graphics division for $10 million to form Pixar. Initially a struggling computer hardware company, Pixar eventually found its niche in digital animation, ultimately partnering with Disney to produce Toy Story, A Bugs Life and a host of immensely successful computer animated films.

When Disney bought Pixar in 2006, Jobs became Disney's largest shareholder and joined its board of directors, a position he held until his death today at age 56.

Disney and Pixar both issued statements honoring the memory of this great creative innovator.
Steve Jobs was a great friend as well as a trusted advisor. His legacy will extend far beyond the products he created or the businesses he built. It will be the millions of people he inspired, the lives he changed, and the culture he defined. 
Steve was such an 'original,' with a thoroughly creative, imaginative mind that defined an era. Despite all he accomplished, it feels like he was just getting started. 
With his passing the world has lost a rare original, Disney has lost a member of our family, and I have lost a great friend. 
Our thoughts and prayers are with his wife Laurene and his children during this difficult time. 
Robert Iger, President and Chief Executive Officer, The Walt Disney Company

Steve Jobs was an extraordinary visionary, our very dear friend and the guiding light of the Pixar family. He saw the potential of what Pixar could be before the rest of us, and beyond what anyone ever imagined. Steve took a chance on us and believed in our crazy dream of making computer animated films; the one thing he always said was to simply 'make it great.' He is why Pixar turned out the way we did and his strength, integrity and love of life has made us all better people. He will forever be a part of Pixar's DNA. Our hearts go out to his wife Laurene and their children during this incredibly difficult time.

John Lasseter, Chief Creative Officer & Ed Catmull, President, Walt Disney and Pixar Animation Studios

The Mouse Castle extends its sincerest condolences to the family and friends of Steve Jobs.


www.themousecastle.com

Thursday, September 8, 2011

Interviewing John Lasseter

John Lasseter
Timing is everything.

At last month's D23 Expo in Anaheim, I paid a Saturday afternoon visit to the MiceChat booth in the exhibit hall. For several years, I wrote quite a bit for MiceChat and stayed pretty active on its message boards.  As I devoted more time to my own blog, I became less involved with MiceChat, but stayed close to the people who ran the site and many of its members.  I count MiceChatters among my closest friends.  OK, forget friends, these people are my chosen family and I'm very lucky to know them.

As I stood chatting with MiceAge blogger Al Lutz, Dusty Sage, who runs MiceChat, suddenly got my attention.

"We can get five minutes with John Lasseter, but we have to hurry. Can you come with me?"

Dusty needed a photographer and couldn't get a hold of his partner Norm, who usually does the camerawork. No need to twist my arm.  When you get a chance to meet with Disney/Pixar's chief creative officer, you go for it.  With my Nikon in hand, off we went.

Our friend Christi went along with us--for interview purposes, we decided she was our assistant--and later, Norm caught up with us as well. D23's Steven Clark probably raised an eyebrow when he saw this MiceChat entourage invade the interview room, but we were all allowed in and were joined by five or six bloggers from other Disney fan sites.

Lasseter came in a few minutes later, having just finished a panel discussion with his Pixar creative people, including Andrew Stanton and Pete Docter.  Lasseter was friendly, outgoing and generous with his time.  Five minutes quickly turned into 45 as we all asked him questions and talked about Pixar, Disneyland and the massive expansion of Disney California Adventure.  This wasn't an interview.  This was a friendly conversation with a guy who's as big a Disney geek as the rest of us.

When it was all over and we shook hands and said our goodbyes to Mr. Lasseter, still pinching ourselves from the opportunity, Dusty asked me if I'd write the article for MiceChat.

No need to twist my arm.

My conversation with John Lasseter:  http://micechat.com/forums/features/158750-micechat-interviews-john-lasseter.html.

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Tuesday, June 28, 2011

'Cars 2' Rules the Road

John Lasseter's wall of toys at Pixar
John Lasseter really likes to play with his toys.

You can see them in his office at Pixar. On the wall behind his desk and scattered throughout the room are toys, mostly from the Toy Story franchise, but plenty from Cars as well. It's an explosion of Woody and Buzz, McQueen and Mater, and it's a reminder not only of the power of Disney/Pixar merchandising, but also of the kid that still lives in Lasseter.

That kind of sums up how I feel about Cars 2, which was directed by Lasseter. It's going to sell a lot of merchandise, but it sure is fun when John shares his toys with us.

Tow Mater and Lightning McQueen on Pit Row
The critics have not been kind to Cars 2. After seeing a fairly dismal consensus on Rotten Tomatoes, I was having my doubts about the movie myself. Some reviews were pretty scathing. Was Pixar losing its touch?

Not the way I saw it. Cars 2 is an entertaining and fast-paced romp around the race track. Is it among Pixar's best? No, it isn't. It lacks the emotional depth of Up and Wall-E, but it still accomplishes exactly what it sets out to do, and that's to rev up the action and be nothing more than a fun time at the movies. It won't tug on your heartstrings like Toy Story 3 or Monsters, Inc., but who says every Pixar film has to? The first Cars movie tried to be about something, evoking the nostalgia of Route 66 culture while reminding us how important it is to stop and smell the roses every now and then. Unfortunately, it put too much emphasis on the laid-back ways of Radiator Springs and slammed the brakes on the story. When it wasn't about Lightning McQueen ka-chowing around the oval, Cars dragged.

Cars 2 has no time for introspection, instead going pedal to the metal with a spy caper tale that puts Lightning McQueen (Owen Wilson) in a World Grand Prix racing competition while his slow-witted, tow truck buddy Mater gets caught up in a case of mistaken identity and international espionage. There's nothing about this premise that says subtlety or pathos, so if that's what you're expecting from Pixar this time around, you best move on down the road.

Secret agent cars Holly Shiftwell, Finn McMissile and...Mater?
What Cars 2 does offer is non-stop action and the same love of spy thrillers that The Incredibles had for super heroes. There's joy to be found in the details, from the clever guns and gadgets packed inside super spy car Finn McMissile (an insouciant Michael Caine, perfectly cast) to the extraordinary architectural elements found throughout Cars 2's auto-fied venues (London's Big Ben becomes Big Bentley, complete with grille work; the bottom arch of Paris's Eiffel Tower has wheel spokes). It's a feast for the eyes that makes you want to watch it again if only to see what other fleeting details you missed the first time.

It's pure entertainment, from flying cars to intentionally lame puns ("You da bomb!") to a bad guy who wears a monocle. You can see Lasseter and his creative crew gleefully letting their imaginations run wild ("We'll put magnets on Finn's tires so he can climb!" "Let's trick out Mater with spy weapons--won't that be cool?!"). Cars was held back when it kept its characters in the friendly confines of Carburetor County. Like with any fine vehicle, Cars 2 proves that it's way more fun when you let it run on the open road.

Thanks for sharing, John.