Showing posts with label Monsters Inc.. Show all posts
Showing posts with label Monsters Inc.. Show all posts

Monday, October 21, 2013

Billy Crystal Talks About Mike Wazowski and 'Monsters University'

On October 29th, Monsters University will be out on Blu-ray, DVD and On-Demand (it's already available on Digital HD download). In a Q&A provided by Disney, the voice of Mike Wazowski, comedian Billy Crystal, talks about his return to Monstropolis, working with John Goodman (Sulley) again, and surviving the scariest world of all, social media.

How does it feel to return to the character of Mike Wazowski in Monsters University?
It feels great. I love being this little guy. He’s my favorite character I’ve ever played in anything I have ever done. I don’t know what it is about him, but he’s so infectious to me. I love him.

What excites you most about the return of the monsters of Monsters, Inc.?
One of the great things about this movie is that the kids who went to see the first movie are now college age. When the first movie came out in 2001, John Goodman [who voices Sulley] and I hosted several screenings for kids in New York. All those kids, and kids throughout the world, were 6 or 7 years old back then. They are now the same age that Mike and Sulley are in the movie, so they can look at it in a totally different light. We recently screened the movie for about 400 film students at USC and they went berserk because the movie is about them. They are making the same decisions in their lives that Mike and Sulley are making in the movie.

When it comes to the recording booth for the movie, did you record your voice alongside John Goodman?
We always do that. In the very beginning, I said, “Can John come and work with me in the recording booth?” They said, “Well, we didn’t ask him. Tom Hanks and Tim Allen didn’t do it on Toy Story.” I said to them, “Well, get him in here and see if he’ll do it.” We soon started to work together in there and then great things started to happen.

Why is it better for you to work together in the recording booth?
There were scenes that could not be done unless we were together, like the quiet moments at the lake in Monsters University. They are very powerful scenes, but we weren’t looking at our scripts. We knew our lines and we were able to act very closely together, just like in the movie. I think it really shows.

How would you describe the personality of Mike Wazowski?
Mike loves to be in charge and he is very driven. I understand him completely. He doesn’t take disappointment easily and he’s always hoping for the best. I dig that.

You mention that Mike doesn’t take disappointment easily. When was the last time you felt disappointed?
I’m constantly disappointed. I was disappointed this morning when they said I was going to be working until 5pm! There are constant disappointments in my life. ‘This movie didn’t work well, that didn’t work well; they don’t want to make this, they don’t want to make that…’ There is always something going on, whether it’s in business or in your personal life. Most of the time, your day never really works out the way you want it to work out.

What’s your life motto, Billy?
I got an award at the Geffen Playhouse a while ago, and it was a really lovely night. When I accepted the award, I said to the crowd, “My grandfather said something which was really profound to me. He said, ‘If you hang around a store long enough, soon or later someone is going to give you something.’ So thanks for this!” [Laughs] I don’t know if I have one of those shiny mottos like, ‘Keep your sunny side up!’ Or, ‘Don’t turn your umbrella upside down!’ I just think, ‘Be happy you’re here, and just keep trying to keep yourself happy.’

What’s been your greatest achievement?
Professionally? That I’m still around! This year is turning out to be one of my busiest ever. I’ve had Monsters University and I wrote a book. Plus, I’m going back to Broadway with my one-person show. If there is one thing I loved in particular, it was doing [the play] 700 Sundays on Broadway – as well as all of the tours. That’s why we are going to do it one more time on Broadway.

Let’s step back in time, Billy… What were you like in college?

I was two different guys. At first, I went to school to play baseball – but that didn’t work out, so I transferred home to a junior college where they had a fantastic acting program. That’s where I really went nuts. I was exactly like Mike. I was heavily involved with everything. “Let’s do this, let’s do that!” We built a theater and I got my Actors’ Equity Card – and then I went to film school at NYU.

What did you study at NYU?
To this day, I don’t know why I went to NYU as a directing major. This was nearly 50 years ago and I’ve no idea why I didn’t go as an acting major. I guess I was drawn to directing. I directed various stage projects and I’d made some home movies, so I always liked it.

What was life like at NYU?
As soon as I got there, I went quiet because I was really out of my element. All of the young students were real filmmakers. There was Oliver Stone, Christopher Guest and Michael McKean. Well, Chris was in the acting school but we took film classes together. And my film professor was Martin Scorsese, who was a graduate student not much older than us.

What was Martin Scorsese like back then?
This was 1968 to 1970, and he was an intense guy. He had long hair, a big beard and granny glasses. He was inspirational, but I couldn’t keep up with everything because I was a performer in my heart. Marty was very fluent in movies and he was extremely passionate about them, but I really felt like I wanted to be in front of people. I wanted to be a performer.

You famously hosted The Academy Awards for nine years. Would it be a thrill to host them again? Or would it scare you?
I don’t get scared. My fears are always, ‘Can I be better than I was?’ They haven’t asked me and they probably won’t ask – but if they do, I would listen. However, it’s not something I’m eager to do at this point in my life. As your choices get narrower and your chances to do other things get smaller, I would rather do other things than go back to something I’ve done before.

What scared you when you were younger?
To be honest, I still don’t love the darkness. The unknown has always been a little scary to me. Other than that, my Aunt Sheila was terrifying [when I was a child]. She’d put a napkin to her mouth and she’d say, “You’ve got something on your face, dear.” It would be like, ‘Let me just scratch that off your face; let me sand down your cheek!’

What scares you today?
Those nasty people on Twitter. The people with mean comments. Don’t get me wrong, there are some wonderful people on there – but don’t read any of the people with mean comments.

Are you active on Twitter?
Yes, I am. I do it for publicity reasons. And, every once in a while, if I have something funny to say, I’ll say it on Twitter.

Have people written bad things about you online?
At times, yes. But they do it to everybody. Listen, no one likes to wake up knowing that someone doesn’t like them in the morning, but that’s the way it’s got to be. I don’t answer back. You can’t engage them because you don’t know who they are. It’s a weird world that we have uncovered. There are a lot of anonymous people out there on Twitter and anyone who can press ‘send’ is a potential critic. You get the good and the bad; not everyone is going to like it and I get that – but there is a meanness in some people.

What are your thoughts on the fact that a lot of movie writers and actors are moving to the small screen?
I think the best writing is in television right now. I honestly do. What shows do I like? Elementary is great. Johnny Lee Miller is good. He and Lucy Liu are very good together. I also watch [comedian] Louis C.K. whenever he’s on television, but the best show is The Daily Show With Jon Stewart.

Apart from watching television, how else do you relax?
I love being with the kids. And playing golf is a very nice way to get away from everybody and turn everything off. Sometimes, I might not even play a hole; I’ll just walk. Lately, I’ve also been drawing a little. I’ve been fooling around to see what comes out. And I also write. I can’t say it was hard work to write my latest book because it was very comforting to get on a computer every day. I really enjoyed writing it.

What can you tell us about the new book?
It’s a book about aging. I wrote it when I was approaching 65, which was in March 2013. I thought I would go out on the road and perform the things I wrote about – but then they became more like essays, so it became more of a book than a concert. I gave it to my literary agent and he said, “This is good.” So we sold it as a book, and I just kept going and going. It became a memoir about my 20s, 30s, 40s and 50s. It’s very funny, about a man getting older – and it’s called Still Fooling Them. That’s a mantra of mine right before I go out on stage. I really looked forward to working on my computer. Even though it was work, it was very cathartic. I loved it.

Monday, June 24, 2013

'Monsters University' a Worthy Prequel to 'Monsters Inc.'

The best compliment I can pay Monsters University is that there was a point near the end of the movie when I really didn't know in what direction the story was going or how it would end. That is no small feat for a prequel where we know our heroes, that punky little eyeball Mike Wazowski (Billy Crystal) and the furry, ferocious James P. Sullivan (John Goodman), will ultimately end up as the superstar team of Monsters Inc. It's also a reminder that when Pixar is at the top of their game, no studio in Hollywood, animation or otherwise, can match their storytelling skills. Monsters University is a highly entertaining--and sometimes surprising--animated romp that puts its own unique spin on college coming-of-age comedies.

Mike and Sulley are both students enrolled in Monsters University's prestigious Scare School. This is the place that all ambitious monsters aspire to if they want to be the best of the best of the best converting children's screams into energy at Monsters Inc. Mike is the tenacious, nose-to-the-grindstone type, low on talent, but huge on smarts and determination. Sulley is the natural-born scarer with little interest in tactics or technique. He's making it through school strictly on his raw ability and a family name that's legendary in the annals of M.U. alumni. Mike is driven to ace every test. Sulley is content to skate by on his talent alone. Naturally, when they first meet, they become jealous adversaries. But, when circumstances force them to team up with a rag-tag group of outcasts in the campus-wide "Scare Games," they form an uneasy alliance that will make or break their future at M.U.

Monsters University borrows liberally from other memorable school age films from Animal House to Revenge of the Nerds to Harry Potter, with touches of Carrie and The Hunger Games thrown in for good measure. Writer/director Dan Scanlon and the rest of the Pixar crew clearly have an affinity for these films, but they treat them with playful reverence--not as a ripoff--keeping Monsters University fun and fresh, never stale.


Thursday, May 2, 2013

MCL: Monstrous Crowds Expected at Disneyland's 24-Hour Party

I've got a bunch of fun stuff crammed into the latest episode of The Mouse Castle Lounge. First, Disneyland, Disney California Adventure and Walt Disney World's Magic Kingdom are going to be plenty busy on May 24 when they each host a 24-hour party from 6:00 a.m. straight through to 6:00 a.m. the next day. The Magic Kingdom will be busy, to be sure, but the crowds on the west coast will be, well, monstrous as the Disneyland Resort attempts to hold a Grad Nite at the same time.


Also, Iron Man 3 opens in the U.S. this weekend after an overseas opening worthy of a superhero. I've got sound clips from Robert Downey, Jr., Gwyneth Paltrow, IM3 director Shane Black and producer Jon Favreau as they talk about the making of the film.



All that and a preview of the still-under-construction Seven Dwarfs Mine Train at Walt Disney World are inside this edition of The Mouse Castle Lounge. Enjoy!

Wednesday, October 5, 2011

Disney Classics in 3D: Stop the Madness!

Beauty and the Beast
Well, $80 million certainly got Disney's attention, didn't it?

Following The Lion King's astounding movie box office returns during its just-concluded run in 3D, Disney announced Tuesday it would give the 3D treatment to four other films and release them in limited theatrical engagements during 2012 and 2013.

The blatant cash grab continues.

Since it already completed a two-week run in 3D at the El Capitan Theatre in Hollywood last month, Beauty and the Beast will be the first one of the four to hit theaters on January 13, 2012. Pixar's Finding Nemo will follow on September 14. In 2013, Monsters Inc. will take its turn on January 18, five months before its new prequel, Monsters University, debuts. The Little Mermaid will finish up the series on September 13.

Finding Nemo
If Disney sticks to past practice, the good news is we'll have beautiful new Blu-ray releases of Nemo and Mermaid following their theatrical runs (Beast and Monsters Inc are already available on Blu-ray, although I'm sure we'll see them reissued in a Combo Pack that includes a 3D disc). The bad news is Disney will continue to over-saturate the already bloated--and mostly unnecessary--3D movie market. And it'll do it at the expense of films that are perfectly fine as is.

When I was growing up, in the era before home video, Disney would regularly re-release its classic animated films in theaters every seven years or so. This is how I was introduced to Snow White and the Seven Dwarfs, Fantasia and many other great Disney films. If Disney were to take this route with The Little Mermaid and Beauty and the Beast, I would cheer. These are magical movies that I would gladly see again on the big screen, but in their original 2D form, not in a gimmicky 3D retrofit.

The Little Mermaid
Yes, I know, The Lion King re-release was also shown in 2D and these upcoming releases likely will be as well. Sadly, that's not the point. The fact that Disney feels compelled to trick out its classic film library in 3D to somehow stay relevant to modern audiences is insulting to both moviegoers and to the artists and animators who originally made these films. Your work is no longer good enough. We're going to make it "better"--and charge people premium prices to see it.

I passed on The Lion King during its latest theatrical run. I plan on doing the same for these next four films. Call it my (not-so) silent protest against tampering with movies that were never intended to be seen in 3D to begin with.

Enough already.

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