After an extended holiday hiatus, The Mouse Castle Lounge podcast is back with a new weekly format for the new year.
In this week's show, I discuss how Disney fared with the Oscar nominations announced last Thursday and also take a look at Tim Burton's stop-motion upgrade of Frankenweenie, just released on home video and my choice for Best Animated Feature at the Oscars.
I'll also preview Disneyland's new tribute to the Golden Horseshoe Revue, part of the park's 2013 "Limited Time Magic" promotion. The show pays homage to the original Revue, which starred Wally Boag, Betty Taylor and Fulton Burley and ran for decades at Frontierland's Golden Horseshoe Saloon.
In a new Mouse Castle Lounge segment, I introduce "The Wonderful World of Bloggers," spotlighting who (besides me, of course ;-) ) is presenting the best Disney blogs and podcasts on the 'Net. This week, it's Disney Legend Floyd Norman, whose Mr Fun blog is a clever collection of anecdotes and observations from the cartoonist, animator and story man whose career spans from Disney's post-World War II animation comeback to the modern era of CG animation at Pixar.
Me (r.) and Mr. Fun himself, Floyd Norman
Another new segment I've added to the mix is "The Disney News Archive," revisiting forty years of Disney News and Disney Magazine publications from 1965 to 2005. In the first installment, our random time machine is set to Spring 1996, which saw Disneyland bidding farewell to The Main Street Electrical Parade, film critics Gene Siskel and Roger Ebert marking 20 years of working together on television, and ragtime pianist extraordinaire Rod Miller reminiscing on over 25 years of tickling the ivories at Disneyland's Coke Corner. Miller would stay with Disney another 11 years and, in 2010, I caught up with him at an anniversary event at the Walt Disney Family Museum in San Francisco.
All this and more is in this week's episode of The Mouse Castle Lounge. I hope you enjoy it.
The Mouse Castle Lounge can also be heard on iTunes and Stitcher.
Disneyland Resort president George Kalogridis called the passing of Disney Legend Betty Taylor a day after the death of her longtime Golden Horseshoe Revue costar Wally Boag a "tragic coincidence."
Indeed.
Betty died yesterday at her Washington State home. She was 91.
In January 1956, Betty joined the Golden Horseshoe, replacing Judy Marsh in the role of the cafe's owner, emcee and main squeeze to Pecos Bill, Slue-Foot Sue. Betty stayed with the show until 1987, racking up 45,000 performances, exceeding even that of Wally Boag, who retired in 1982.
Betty and Wally seemed destined to perform together. Both grew up in the northwest and took to music and dance at an early age. While Wally's calling was vaudeville, Betty gravitated towards nightclubs and big bands, singing with Les Brown and other popular bandleaders of the time. She even performed with Frank Sinatra for a series of shows in Las Vegas.
Betty had a smart and sassy stage presence and a rich voice that filled the Golden Horseshoe. Her signature tune was "Won't You Come Home, Bill Bailey?", one of the many highlights of the show:
She also famously performed with comedian Ed Wynn atop a piano on wheels for a 1962 episode of Walt Disney's Wonderful World of Color:
Betty was a consummate professional with the attitude that "the show must go on." That was never more evident than when the Golden Horseshoe Revue went on a USO tour in 1968. In Wally Boag's memoir, Clown Prince of Disneyland, he recalled a stop they made in Iceland.
"Betty broke her ankle while riding on a snowmobile from the plane to our first show. They flew her to the nearest hospital, and the rest of us went on with the show. When we went to see her we were told that they were going to have to send her home because they had to put her leg in a cast. She was devastated, but our accordian player saved the day. He was a weight lifter and said he could pick her up and put her on a stool so she could do her numbers. He did and she got a great response from our audiences."
Disney lost two legends this weekend, and for those of us of a certain age, a big chunk of our childhood goes with them.
In his book, Clown Prince of Disneyland, Wally Boag wrote that spitting out his teeth was probably the bit people remembered most about the Golden Horseshoe Revue. As a kid, it certainly was for me. In the late 1960s, I can recall sitting at a left-side table with my family inside the Golden Horseshoe, not far from the stage. There'd be a really silly guy up there (Boag) wearing a floppy cowboy hat and six-guns that hung too low. With pretty Slue Foot Sue (Betty Taylor), he'd crack wise and sing about the legendary Pecos Bill. At some point during the number, he'd get smacked in the mouth and begin spitting teeth (they were actually pinto beans) at the musicians below him, who would pull out ping pong paddles and begin batting the teeth around. This would go on for quite some time. The audience roared.
In a 27-year stretch, Wally Boag did this same bit (and many others) nearly 40,000 times at Disneyland and Walt Disney World. But, his legacy isn't just about longevity. It's about talent and commitment. He put as much effort and heart into his first performance as he did into his last, and into every one in between. Wally understood that for as many times as he twisted his balloon animals, shot his water pistols or did his signature loose-limbed high kicks, there would always be people in the audience who had never seen the Golden Horseshoe Revue and who deserved a great show.
He was a born entertainer who gave dance lessons in his teens and worked the vaudeville circuit for nearly twenty years before signing a two-week contract (that just kept on going) at Disneyland. Wally first performed at the Golden Horseshoe during an anniversary party for Walt and Lillian Disney on July 13, 1955, four days before Disneyland opened. Aside from being the Revue's debut, it was also noteworthy for being the show at which Walt climbed over the railing of the stage left balcony to join Wally on stage. He was soon followed by Lillian (who took the steps, thank you very much). About the evening, Wally wrote, "Lilly loved to dance and Walt didn't. However, when the band began playing, he took her hand and danced around the stage. She didn't know it, but he had taken some dancing lessons because he knew how happy it would make her."
Wally had many memorable moments with the Golden Horseshoe Revue. In September 1962, the show's 10,000th performance was turned into an episode of Walt Disney's Wonderful World of Color:
During his career, Wally performed with some of the greats in entertainment including Julie Andrews, Donald O'Connor, Ed Wynn, the Mouseketeers and the Muppets. For a publicity stunt, he once took a cream pie in the face from silent screen star Buster Keaton. Wally retired from the Horseshoe in 1982 and was named a Disney Legend in 1995 along with his Golden Horseshoe co-stars Betty Taylor and Fulton Burley. Today, you can still hear him as the voice of Jose in Walt Disney's Enchanted Tiki Room.
Wally had been in declining health for a number of years and passed away yesterday at the age of 90.
As a young employee at Disneyland, actor/comedian Steve Martin saw Wally Boag perform and was greatly influenced by his comedic talent. In the foreword to Wally's memoir, Martin wrote, "Wally had something about him, an infectious happiness and a mysterious something else I later learned was called comic timing. Everything he did had a rhythm, and it all came together in a kind of comedic concert as he charmed and teased the audience. There was a gentleness to his comedy, a feeling that you were being let in on some special secret."
Wally Boag leaves behind a legacy of fun and laughter that delighted audiences for decades. He will be sorely missed.
Our deepest condolences go to his family and friends.
